Paul

Release Date: Mar 18, 2011

Runtime: 1 hr. 40 min.

Director: Greg Mottola 

Cast: Simon Pegg, Nick Frost, Seth Rogen, Jason Bateman, Kristen Wiig.

 

From the entertaining minds of Simon Pegg and Nick Frost, comes a comedy that boldly goes where no human probing as gone before. After escaping from Area 51, Paul—the alien fugitive—finds himself on the run with two comic book nerds traveling in a RV. Together they escape on a wild chase brought on by overzealous Christians, men in suits and the mysterious ‘Big Guy.’ Despite the heavy hand of pro-evolution at work, the film dabbles little in controversy and more in shameless humor. While it isn’t as uproariously funny as “Shaun of the Dead,” “Paul” does manage to keep the gags running consistently thanks to its cast of misfits and star cameos. Kristin Wiig is a standout with her prude-turned-nympho alteration, and Seth Rogen is ever delightful as the roguish alien. As amusing as it is oddly heartfelt, this sci-fi comedy is sure to please both geeks and slackers alike. Just think: E.T. with attitude.

Rating: 3½ stars

Unknown

Release Date: Feb 18, 2011 

Runtime: 1 hr. 49 min. 

Director: Jaume Collet-Serra 

Cast: Liam Neeson, Diane Kruger, January Jones, Aidan Quinn, Bruno Ganz.

In a similar “Taken” tonality, Liam Neeson stars as a man on a mission to reclaim what was stolen. Only this time around it’s his own identity that is in jeopardy, and less ass-kickage to be dealt with. As more questions are left unanswered, he quickly realizes that not all is what it seems. And thus goes another thriller that twists and turns in a formulaic fashion, but one that is simply adequate and not grand. While containing parallel traits to “The Bourne Identity” and “Salt,” “Unknown” begins with an interesting premise, but becomes muddled by too many elements at the rate in which they’re revealed. Instead, car chases and fistfights make due for what is lost in the overall story. Neeson continues to bank on his action hero status, and does so with grace and precision, but little can be said about the supporting cast. At the end of the day, it’s the memorability of the film that’s worth the ticket, but this one is a toss up. You may be better off with “Taken 2.”

Rating: 2½ stars

Sanctum

Release Date: Feb 04, 2011 

Runtime: 1 hr. 43 min. 

Director: Alister Grierson 

Cast: Richard Roxburgh, Rhys Wakefield, Ioan Gruffudd, Alice Parkinson, Daniel Wyllie.

Boasting the title card of 'Executive Produced by James Cameron,' “Sanctum” forays into the unexplored depths of cave diving, where fate lies within an oxygen tank and nerves of steel. But credentials may not be everything, as the film fizzles and drowns under the weight of pressure. Starring a relatively unknown cast, aside from Richard Roxburgh and Iaon Gruffudd, the story, by default, relies on its striking surroundings and nifty camera work. The 3-D, while no “Avatar,” does help immerse you in the environment and tension, despite being nauseating at times. The main problems rest in the acting that is laughable, and the unappealing personalities of all the characters. Apart from being annoying and unwise, their lack of back-story does little to garner sympathy from the audience. By the end, you feel indifference towards who survives or doesn’t. While comparable to “The Descent,” the isolation and claustrophobia are the extent of similarities. For once, hidden monsters and terror would have been welcomed instead of a tepid thriller that does little to spike the heart rate. But again, this is only 'Executive Produced by James Cameron.'

Rating: 2 stars

The King's Speech

Release Date: Nov 26, 2010 

Runtime: 1 hr. 51 min. 

Director: Tom Hooper 

Cast: Colin Firth, Geoffrey Rush, Helena Bonham Carter, Guy Pearce, Timothy Spall. 

In what is most likely the only real adversary against “The Social Network” for Best Picture, is Tom Hooper’s period piece, “The King’s Speech.” At first glance, it can be construed as just another historical drama that divulges the secrets of royalty, but in actuality, it is much more than that. Through error and practice, we witness a triumph of character development that humbles even that of a monarch. Colin Firth stars as the timid, yet self-aware Prince Albert whose stammering speech impedes on his rise to the throne. With the help of an unconventional speech therapist, played radiantly by Geoffrey Rush, he stands up to the challenge of being the King that the people need and deserve in a time of hardship. Like many bromances before them, Firth and Rush prove that there is no greater friendship than the one that bickers and fights. Their chemistry is genuine and endearing, as student and teacher discover equal grounds amid their social differences. Tom Hooper brings elegance to the directing, creating a beautiful picture that flourishes on art direction and witty humor. Additionally, the score crafted by Alexandre Desplat is flawless and captivating. But perhaps the best facet of the film is the stark contrast of beginning and end that expresses the sole purpose of the appellation. While many may predict the outcome, the experience of watching is no less rewarding. Already having gathered several awards and nominations, the final sprint of “The King’s Speech” comes down to the imminent Oscars. The race may be tight for Best Picture and Director, but Firth can rest easy. King or no king, this year is his to win it.

Rating: 4½ stars