Sunday, February 6, 2011

The King's Speech







Release Date: Nov 26, 2010 
Runtime: 1 hr. 51 min. 
Director: Tom Hooper 
Cast: Colin Firth, Geoffrey Rush, Helena Bonham Carter, Guy Pearce, Timothy Spall. 

In what is most likely the only real adversary against “The Social Network” for Best Picture, is Tom Hooper’s period piece, “The King’s Speech.” At first glance, it can be construed as just another historical drama that divulges the secrets of royalty, but in actuality, it is much more than that. Through error and practice, we witness a triumph of character development that humbles even that of a monarch. Colin Firth stars as the timid, yet self-aware Prince Albert whose stammering speech impedes on his rise to the throne. With the help of an unconventional speech therapist, played radiantly by Geoffrey Rush, he stands up to the challenge of being the King that the people need and deserve in a time of hardship. Like many bromances before them, Firth and Rush prove that there is no greater friendship than the one that bickers and fights. Their chemistry is genuine and endearing, as student and teacher discover equal grounds amid their social differences. Tom Hooper brings elegance to the directing, creating a beautiful picture that flourishes on art direction and witty humor. Additionally, the score crafted by Alexandre Desplat is flawless and captivating. But perhaps the best facet of the film is the stark contrast of beginning and end that expresses the sole purpose of the appellation. While many may predict the outcome, the experience of watching is no less rewarding. Already having gathered several awards and nominations, the final sprint of “The King’s Speech” comes down to the imminent Oscars. The race may be tight for Best Picture and Director, but Firth can rest easy. King or no king, this year is his to win it.

Rating: 4½ stars

Monday, January 17, 2011

The Green Hornet







Release Date: Jan 14, 2011 
Runtime: 1 hr. 48 min. 
Director: Michel Gondry 
Cast: Seth Rogen, Jay Chou, Cameron Diaz, Tom Wilkinson, Christoph Waltz.

In a world filled with criminals and violence, there are heroes destined for greatness. And then there’s this guy. Britt Reid: bumbling playboy by day, accidental vigilante by night. Backed by his trusty sidekick Kato, they fight for justice, armed with a gas gun and pimped-out cars. But despite the amusing premise, the film goes awry when it struggles to draw the line between being clever and cheesy. Acting as a comical farce, rather than an update of the classic, “The Green Hornet” is anything but a superhero movie. In the vein of the “Charlie’s Angels” remakes, it relies on utter ridiculousness and impossible stunts to mask any obvious flaws or faux pas. As a result, it begins rather sloppily, doing a quick rundown of plot set-ups and character introductions for the sake of calling it an origins story. While Seth Rogen’s humor is obvious in the script writing, he rarely carries the substance of his character that is suppose to play the leading role. Even Christoph Waltz manages to appear non-menacing as the so-called villain, Chudnofsky, in comparison to his prior role of Nazi Colonel Hans Landa. Instead, it’s Jay Chou who ends up with all the charisma and best comic deliveries, in spite of the language barrier. In any case, Michel Gondry does bring a visual flair to the screen that is enjoyable to watch, as it is creative. The ‘Kato-Vision’ and ‘Black Beauty’ renditions alone make up the majority of what makes “The Green Hornet” an acceptable popcorn flick. As the end comes open with sequel possibilities, it seems like the crime-fighting days of Seth Rogen have only just begun. And that in itself is intriguing enough.

Rating: 2½ stars

Sunday, January 2, 2011

Rabbit Hole







Release Date: Dec 17, 2010 
Runtime: 1 hr. 31 min. 
Director: John Cameron Mitchell 
Cast: Nicole Kidman, Aaron Eckhart, Dianne Wiest, Tammy Blanchard, Sandra Oh.

An exploration of the deepest loss is the core of this gripping film that many would not want to see, but should see. Based on the Pulitzer-winning play, "Rabbit Hole" tells the story of a married couple who loses their child and copes with it in two very distinctive ways. While one pulls away, the other struggles to make amends and move on, pitting them on separate paths that will ultimately determine their future together. Brilliant performances, possibly their best yet, are delivered by Nicole Kidman and Aaron Eckhart, who make you believe their pain and suffering through it all while also giving a sense of hope. As the story takes us through the various stages of grief, it rises and falls as an emotional rollercoaster, but is never dark or gloomy. Its honesty and perseverance allows it to embark on a path of healing that eventually leads to resolution. Despite the grim subject matter, “Rabbit Hole” shows it’s a survivor and falls in line as one of my favorites this year.

Rating: 4½ stars

True Grit







Release Date: Dec 22, 2010 
Runtime: 2 hr. 8 min. 
Director: Ethan Coen, Joel Coen 
Cast: Jeff Bridges, Josh Brolin, Matt Damon, Hailee Steinfeld, Barry Pepper.

Known for their mastery of directing award-winning films, the Coen brothers’ latest entry into the Western genre is no different. “True Grit”—while being a remake of the 1969 film of the same title—is an unblemished adaptation of its own accord, staying truer to the original novel that started it all. Jeff Bridges takes on the heavy-burden task of following in John Wayne’s footsteps, who won his one and only Oscar portraying the irritable, but resourceful, Rooster Cogburn. Yet, Bridges proves he’s a seasoned actor for a reason, and personalizes the role with every ounce of confidence and indifference in his soul. Opposite the veteran actor is newcomer, Hailee Steinfeld, whose age is all but forgotten when acting beyond the wisdom of her years. Her steadfast personality and no-nonsense attitude is what makes the film bustle and thrive. Matt Damon rounds out the trio as Texas Ranger La Boeuf, whose acting comes readied with comical comebacks and swagger. With all of this, in addition to the handsome terrain and cinematography, it’s no wonder that the Coens’ “True Grit” needs no comparison. But don’t expect a whole lot of gunfights here. This is one Western that chooses style over ammo.

Rating: 4½ stars

Thursday, December 30, 2010

The Fighter







Release Date: Dec 17, 2010 
Runtime: 1 hr. 54 min. 
Director: David O. Russell 
Cast: Mark Wahlberg, Christian Bale, Amy Adams, Melissa Leo, Jack McGee.
 
Every year, there comes an inspiring film about a lowly, downtrodden athlete who defeats the odds and rises from the ashes. That being said, it only seems fitting that this year’s prominent winner is aptly titled, “The Fighter.” Mark Wahlberg shines as Mickey Ward, a down-on-his-luck boxer who’s looking to make a name for himself with the help of his experienced, yet problem-riddled brother. Distinguishable amid a talented ensemble cast, Christian Bale gives a tour de force performance as brother, Dicky Eklund, who struggles to balance his love for the sport with his addiction to drugs and violence. Bale’s extraordinary skills as a method actor embody an in depth character study that defines the film, while guaranteeing him an Oscar for his supporting role. Other noteworthy performances include Amy Adams and Melissa Leo, who play the important women in Micky’s life, and ultimately influence his decisions in the ring. In spite of being a boxing movie, however, the fights themselves are rather brief in contrast to the character development. Because of this, the film can be slow and tedious at times while leading up to the final showdown for the Welterweight title. But the terrific acting and directing outweigh the bad, helping "The Fighter" be a win-win situation.
  
Rating: 4 stars

The Tourist







Release Date: Dec 10, 2010 
Runtime: 1 hr. 43 min. 
Director: Florian Henckel von Donnersmarck 
Cast: Angelina Jolie, Johnny Depp, Paul Bettany, Timothy Dalton, Steven Berkoff.

Espionage and deceit. Jolie and Depp. What should have been the makings of a great action thriller is, instead, a dull train ride with little to no surprise or suspense. Acting as a remake for the French film, “Anthony Zimmer,” “The Tourist” starts off with intrigue but doesn’t quite find the momentum it needs to build a story worth viewing. Though the two stars seemed destined to be together on screen, the chemistry comes off as halfhearted and expedited, even against the scenic backdrops of Paris and Venice. The sluggish action and flat script further weaken the plot, which unfolds at a snail’s pace and misses the ‘a-ha’ factor when it finally reveals the twist. Predictable in nature and deficient in humor, you’re better off watching its distant counterpart, “Knight and Day.”

Rating: 1½ stars

The Chronicles of Narnia: The Voyage of the Dawn Treader






Release Date: Dec 10, 2010 
Runtime: 1 hr. 52 min. 
Director: Michael Apted 
Cast: Ben Barnes, Georgie Henley, Skandar Keynes, Will Poulter, Liam Neeson. 

Having already faced the White Witch and an evil King, the third adventure finds two of our youngest heroes on a quest to find the seven lost Lords of Narnia. Aboard the ship called the ‘Dawn Treader,’ Lucy and Edmund reunite with the newly appointed King, Caspian, as they head towards Dark Island to vanquish the evil green mist that has taken over the land. Whereas sounding more complicated than in actuality, “Voyage of the Dawn Treader” is relatively straightforward, benefiting from liberties taken with the source material. Emitting the darkest tone of the franchise, the film takes itself rather seriously, but visibly lacks the magic that made the previous films so engaging. The ‘Narnians’ are a few a dozen, as they are now replaced by human slaves, thieves and a new nuisance in the form of the Pevensies’ cousin, Eustace. But one thing that remains unchanged is the mighty Aslan, voiced by Liam Neeson, who always appears at the most pertinent of times in the line of defense. While the younger audience will take no notice of this, the underlying spiritual message is quite apparent this time around and it makes no effort in trying to hide itself. Nevertheless, the third installment is visually pleasing, if not somewhat entertaining.

Rating: stars

Tangled






Release Date: Nov 24, 2010 
Runtime: 1 hr. 32 min. 
Director: Byron Howard, Nathan Greno 
Cast: Mandy Moore, Zachary Levi, Donna Murphy, Ron Perlman, Brad Garrett, Jeffrey Tambor.

In what is said to be the last ‘princess’ movie from Disney, comes “Tangled.” A re-imagined story of the classic, Rapunzel, about a girl trapped in an ivory tower with enchanted long hair. Similar to past fairy tales, Disney returns to what it knows best, depicting a strong-willed heroine who falls in love, fights an evil witch and lives happily ever after. But despite sounding formulaic and following a lackluster trailer, “Tangled” manages to surpass expectations and become an instant classic with a contemporary twist. The storytelling, while being whimsical and enchanting, avoids cultural innuendos that usually plague animated features. This, in turn, gives precedence to the memorable characters and beautiful illustrations that make the film so lively. With catchy musical numbers by Mandy Moore and, surprisingly, Zachary Levi, the film brings a reminiscent quality of the early years of Disney, which now seem like a distant memory. If it weren’t for “Toy Story 3” or “How to Train Your Dragon,” this would easily be the best-animated film of the year.

Rating: 4½ stars 

Tuesday, December 21, 2010

Tron: Legacy






Release Date: Dec 17, 2010 
Runtime: 2 hr. 7 min. 
Director: Joseph Kosinski 
Cast: Jeff Bridges, Garrett Hedlund, Olivia Wilde, Bruce Boxleitner, Michael Sheen, Cillian Murphy.

The Grid. A digital frontier immersed with speeding lights, flying discs and battles to the death. In 1982, “Tron” revolutionized science fiction in film by taking viewers inside the virtual domain of computer programs. Breaking new ground and developing a cult following, it made an impression despite being commercially unsuccessful. Over 20 years later, the sequel is born with the help of greater advancement in technology than ever before. Joseph Kosinski's newly rectified world of "The Grid" is a visual spectacle that dazzles and explodes on screen with every turn. The music, composed by none other than Daft Punk, pumps with electricity and is backed by an impressive 85-piece orchestra, no less. Unfortunately, the excitement ends there as the film's void quickly becomes apparent in terms of character development and dimension. Doe-eyed Olivia Wilde is the only noticeable one to actually humanize her role while many of the other 'programs' appear austere and lifeless. This includes Jeff Bridges' clone, Clu, whose artificial rendering of youth is respectable, yet not fully realistic. What the film lacks in tenor, though, is duly made up by the visual landscape and sensational score; dialogue is almost unrequired against the sights and sounds. While "Tron: Legacy" may not be up to its full potential, the virtual ride is enjoyable beyond the realms of our imagination.

Rating: 3½ stars

Monday, December 6, 2010

Black Swan







Release Date: Dec 03, 2010 
Runtime: 1 hr. 43 min. 
Director: Darren Aronofsky 
Cast: Natalie Portman, Mila Kunis, Vincent Cassel, Barbara Hershey, Winona Ryder. 

Fading the lines between art and film, Darren Aronofsky takes us behind the curtain into the intriguing world of ballet in his latest psychological thriller. “Black Swan” tells the story of a ballet dancer named Nina, whose need for perfection consumes her inwardly and outwardly as she prepares for the role of a lifetime. Natalie Portman, as the troubled and soft-spoken dancer, gives a compelling performance that is reasonably her greatest yet, and no doubt Oscar-worthy. As she faces mounting pressure from both her overbearing mother and cunning instructor, played brilliantly by Barbara Hershey and Vincent Cassel respectively, her emotional turmoil and paranoia begin to manifest and mirror itself within. Acting as stark contrast to Nina's 'White Swan' is her rival Lily (Mila Kunis), who embodies all the wrong ideals and attitude that Portman's character lacks. It is this rivalry that ultimately drives Nina to lose all inhibition and transform into the alter-ego of the 'Black Swan.' As a modernist’s re-envisioning of Tchaikovsky’s “Swan Lake,” the film is darkly entrancing, as it is haunting. It takes time for everything to sink in for you to really appreciate the gravity of the experience. Aronofsky is never one to adhere to genres and it’s clearly shown as the film sways between fantasy and horror. Often times campy, and sometimes self-inflicting, "Black Swan" explores underlying themes of sexual tension and inner demons. The macabre imagery can be difficult to watch at times, but it helps personify the anxiety that the main character is feeling. The choreography is beautifully constructed to impress and terrify, but it's the final act that really captures the true essence of the metamorphosis. With Portman's mesmerizing performance and natural dancing abilities, it would be disappointing to see her not win the top prize.

Rating: 4½ stars

Monday, November 22, 2010

Harry Potter and the Deathly Hallows: Part 1






Release Date: Nov 19, 2010 
Runtime: 2 hr. 27 min. 
Director: David Yates 
Cast: Daniel Radcliffe, Rupert Grint, Emma Watson, Alan Rickman, Helena Bonham Carter, Ralph Fiennes. 

It has taken over a decade of critically-acclaimed books and films for one of the greatest storytellings to culminate at last in the final chapter; turning an average boy wizard named Harry Potter into the 'chosen one.' After facing adversaries in the form of Deatheaters and adolescence alike, we find Harry on a mission to overcome Voldemort once and for all. But such a journey doesn't come without obstacles. Being no stranger to the franchise, David Yates further hones his skills as the director, taking "Deathly Hallows" to unfamiliar territories beyond the castle. The vast landscape and dark cinematography help enhance the emptiness and turmoils that the characters face on a grander scale. With the stakes set high, tensions mount in the air between the three friends (Harry, Ron and Hermione) who we have witnessed grow and mature over the years. This maturity, in turn, goes hand-in-hand with their acting abilities which have improved exponentially since the first film. Rupert Grint as Ron continues to excel, delivering a convincing performance behind the more emotional aspects of the script. But the most impressionable character, is none other than a house-elf by the name of Dobby. Originally acting as comic relief, he promptly becomes the unexpected hero of the film. In addition, other old faces make timely appearances as we recall the plethora of characters that have come and gone in the past. Although many contest that the final book was unnecessarily divided into two films, it is reasonably justified given its extensive material. "Part 1" provides a detailed account of the titled 'Deathly Hallows,' through brilliant use of animation, while simultaneously discussing the aforementioned 'Horcruxes' and setting up the climax. If the previous film, "Half-Blood Prince," had a major flaw, it was that the purpose of the title wasn't thoroughly conveyed in the film. With that in mind, the film can get a bit long-winded at times, acting more as an introductory set-up for the battle of Hogwarts that is to come. There are also significant plot-holes, ie. new characters, that many Potter newbies will not understand due to liberties the writer took to maintain the bulk of the story. But for the most part, "Deathly Hallows" is the first to remain relatively true to the book while working as a solid film. By the time the credits roll, you can't help but to feel both satisfied and longing for the epic finale. Whether you're a die-hard Potter fan or not, next summer's "Part 2" will be one you won't want to miss.

Rating: 4½ stars

Sunday, November 7, 2010

Megamind







Release Date: Nov 05, 2010
Runtime: 1 hr. 36 min. 
Director: Tom McGrath 
Cast: Will Ferrell, Tina Fey, Jonah Hill, David Cross, Brad Pitt.

Never one to evade comparison, DreamWorks offers its take on the superhero genre in the newest adventure pic, “Megamind.” Not to be confused with “Despicable Me,” which coincidentally came out earlier this year, it pits villain vs. hero, but with a predictable twist. Will Ferrell and Brad Pitt play these roles, respectively, leading an all-star vocal cast that easily outshines the film itself. Whereas the animation is up to standards, the story relies heavily on borrowed material that is obvious, yet forgivable. In a familiar narrative that has one rooting for the underdog, in this case the bad guy, there are plenty of heartfelt moments where humor isn’t necessarily needed. That being said, the jokes are mildly funny when not extraordinarily clever. Though it may not be the best product from DreamWorks, it certainly gives off an enjoyable impression for all ages. A story with a moral is always a plus.

Rating: 3 stars

Due Date







Release Date: Nov 05, 2010 
Runtime: 1 hr. 40 min.
Director: Todd Phillips
Cast: Robert Downey, Jr., Zach Galifianakis, Jamie Foxx, Michelle Monaghan, RZA.

Director Todd Phillips returns to his ‘road trip’ roots in his latest buddy comedy, “Due Date.” Where anger management gets left at the door and it’s every man for himself. After running into trouble and landing on the no-fly list, Robert Downey Jr. must depart on a cross-country quest to make it home in time for his wife’s delivery of their first child. The only problem lies within his unwelcomed travel companion: Zack Galifianakis. Together they embark on a misguided journey that generates the laughter, but in intervals that come and go. Like many comedies before it, the oddball pairing is what strongly drives the film and makes it worthwhile. Perhaps even the best moments come during the silent interactions of awkwardness that speak louder than words. It’s the downplay of outlandishness that takes away from the whole experience, therefore limiting the memorable aspects of the film. Most of the jokes are already seen in the trailer and clips, with a 'been there, done that' feel. However, it does manage to redeem itself in the end with some surprise cameos. While “Due Date” is no equal match for “The Hangover,” it’s still a worthy follow-up that’ll provide the entertainment like any decent comedy should. If not, there’s always the “Hangover” sequel to look forward to next summer.

Rating: stars