Paul

Release Date: Mar 18, 2011

Runtime: 1 hr. 40 min.

Director: Greg Mottola 

Cast: Simon Pegg, Nick Frost, Seth Rogen, Jason Bateman, Kristen Wiig.

 

From the entertaining minds of Simon Pegg and Nick Frost, comes a comedy that boldly goes where no human probing as gone before. After escaping from Area 51, Paul—the alien fugitive—finds himself on the run with two comic book nerds traveling in a RV. Together they escape on a wild chase brought on by overzealous Christians, men in suits and the mysterious ‘Big Guy.’ Despite the heavy hand of pro-evolution at work, the film dabbles little in controversy and more in shameless humor. While it isn’t as uproariously funny as “Shaun of the Dead,” “Paul” does manage to keep the gags running consistently thanks to its cast of misfits and star cameos. Kristin Wiig is a standout with her prude-turned-nympho alteration, and Seth Rogen is ever delightful as the roguish alien. As amusing as it is oddly heartfelt, this sci-fi comedy is sure to please both geeks and slackers alike. Just think: E.T. with attitude.

Rating: 3½ stars

Unknown

Release Date: Feb 18, 2011 

Runtime: 1 hr. 49 min. 

Director: Jaume Collet-Serra 

Cast: Liam Neeson, Diane Kruger, January Jones, Aidan Quinn, Bruno Ganz.

In a similar “Taken” tonality, Liam Neeson stars as a man on a mission to reclaim what was stolen. Only this time around it’s his own identity that is in jeopardy, and less ass-kickage to be dealt with. As more questions are left unanswered, he quickly realizes that not all is what it seems. And thus goes another thriller that twists and turns in a formulaic fashion, but one that is simply adequate and not grand. While containing parallel traits to “The Bourne Identity” and “Salt,” “Unknown” begins with an interesting premise, but becomes muddled by too many elements at the rate in which they’re revealed. Instead, car chases and fistfights make due for what is lost in the overall story. Neeson continues to bank on his action hero status, and does so with grace and precision, but little can be said about the supporting cast. At the end of the day, it’s the memorability of the film that’s worth the ticket, but this one is a toss up. You may be better off with “Taken 2.”

Rating: 2½ stars

Sanctum

Release Date: Feb 04, 2011 

Runtime: 1 hr. 43 min. 

Director: Alister Grierson 

Cast: Richard Roxburgh, Rhys Wakefield, Ioan Gruffudd, Alice Parkinson, Daniel Wyllie.

Boasting the title card of 'Executive Produced by James Cameron,' “Sanctum” forays into the unexplored depths of cave diving, where fate lies within an oxygen tank and nerves of steel. But credentials may not be everything, as the film fizzles and drowns under the weight of pressure. Starring a relatively unknown cast, aside from Richard Roxburgh and Iaon Gruffudd, the story, by default, relies on its striking surroundings and nifty camera work. The 3-D, while no “Avatar,” does help immerse you in the environment and tension, despite being nauseating at times. The main problems rest in the acting that is laughable, and the unappealing personalities of all the characters. Apart from being annoying and unwise, their lack of back-story does little to garner sympathy from the audience. By the end, you feel indifference towards who survives or doesn’t. While comparable to “The Descent,” the isolation and claustrophobia are the extent of similarities. For once, hidden monsters and terror would have been welcomed instead of a tepid thriller that does little to spike the heart rate. But again, this is only 'Executive Produced by James Cameron.'

Rating: 2 stars

The King's Speech

Release Date: Nov 26, 2010 

Runtime: 1 hr. 51 min. 

Director: Tom Hooper 

Cast: Colin Firth, Geoffrey Rush, Helena Bonham Carter, Guy Pearce, Timothy Spall. 

In what is most likely the only real adversary against “The Social Network” for Best Picture, is Tom Hooper’s period piece, “The King’s Speech.” At first glance, it can be construed as just another historical drama that divulges the secrets of royalty, but in actuality, it is much more than that. Through error and practice, we witness a triumph of character development that humbles even that of a monarch. Colin Firth stars as the timid, yet self-aware Prince Albert whose stammering speech impedes on his rise to the throne. With the help of an unconventional speech therapist, played radiantly by Geoffrey Rush, he stands up to the challenge of being the King that the people need and deserve in a time of hardship. Like many bromances before them, Firth and Rush prove that there is no greater friendship than the one that bickers and fights. Their chemistry is genuine and endearing, as student and teacher discover equal grounds amid their social differences. Tom Hooper brings elegance to the directing, creating a beautiful picture that flourishes on art direction and witty humor. Additionally, the score crafted by Alexandre Desplat is flawless and captivating. But perhaps the best facet of the film is the stark contrast of beginning and end that expresses the sole purpose of the appellation. While many may predict the outcome, the experience of watching is no less rewarding. Already having gathered several awards and nominations, the final sprint of “The King’s Speech” comes down to the imminent Oscars. The race may be tight for Best Picture and Director, but Firth can rest easy. King or no king, this year is his to win it.

Rating: 4½ stars

The Green Hornet

Release Date: Jan 14, 2011 

Runtime: 1 hr. 48 min. 

Director: Michel Gondry 

Cast: Seth Rogen, Jay Chou, Cameron Diaz, Tom Wilkinson, Christoph Waltz.

In a world filled with criminals and violence, there are heroes destined for greatness. And then there’s this guy. Britt Reid: bumbling playboy by day, accidental vigilante by night. Backed by his trusty sidekick Kato, they fight for justice, armed with a gas gun and pimped-out cars. But despite the amusing premise, the film goes awry when it struggles to draw the line between being clever and cheesy. Acting as a comical farce, rather than an update of the classic, “The Green Hornet” is anything but a superhero movie. In the vein of the “Charlie’s Angels” remakes, it relies on utter ridiculousness and impossible stunts to mask any obvious flaws or faux pas. As a result, it begins rather sloppily, doing a quick rundown of plot set-ups and character introductions for the sake of calling it an origins story. While Seth Rogen’s humor is obvious in the script writing, he rarely carries the substance of his character that is suppose to play the leading role. Even Christoph Waltz manages to appear non-menacing as the so-called villain, Chudnofsky, in comparison to his prior role of Nazi Colonel Hans Landa. Instead, it’s Jay Chou who ends up with all the charisma and best comic deliveries, in spite of the language barrier. In any case, Michel Gondry does bring a visual flair to the screen that is enjoyable to watch, as it is creative. The ‘Kato-Vision’ and ‘Black Beauty’ renditions alone make up the majority of what makes “The Green Hornet” an acceptable popcorn flick. As the end comes open with sequel possibilities, it seems like the crime-fighting days of Seth Rogen have only just begun. And that in itself is intriguing enough.

Rating: 2½ stars

Rabbit Hole

Release Date: Dec 17, 2010 

Runtime: 1 hr. 31 min. 

Director: John Cameron Mitchell 

Cast: Nicole Kidman, Aaron Eckhart, Dianne Wiest, Tammy Blanchard, Sandra Oh.

An exploration of the deepest loss is the core of this gripping film that many would not want to see, but should see. Based on the Pulitzer-winning play, "Rabbit Hole" tells the story of a married couple who loses their child and copes with it in two very distinctive ways. While one pulls away, the other struggles to make amends and move on, pitting them on separate paths that will ultimately determine their future together. Brilliant performances, possibly their best yet, are delivered by Nicole Kidman and Aaron Eckhart, who make you believe their pain and suffering through it all while also giving a sense of hope. As the story takes us through the various stages of grief, it rises and falls as an emotional rollercoaster, but is never dark or gloomy. Its honesty and perseverance allows it to embark on a path of healing that eventually leads to resolution. Despite the grim subject matter, “Rabbit Hole” shows it’s a survivor and falls in line as one of my favorites this year.

Rating: 4½ stars

True Grit

Release Date: Dec 22, 2010 

Runtime: 2 hr. 8 min. 

Director: Ethan Coen, Joel Coen 

Cast: Jeff Bridges, Josh Brolin, Matt Damon, Hailee Steinfeld, Barry Pepper.

Known for their mastery of directing award-winning films, the Coen brothers’ latest entry into the Western genre is no different. “True Grit”—while being a remake of the 1969 film of the same title—is an unblemished adaptation of its own accord, staying truer to the original novel that started it all. Jeff Bridges takes on the heavy-burden task of following in John Wayne’s footsteps, who won his one and only Oscar portraying the irritable, but resourceful, Rooster Cogburn. Yet, Bridges proves he’s a seasoned actor for a reason, and personalizes the role with every ounce of confidence and indifference in his soul. Opposite the veteran actor is newcomer, Hailee Steinfeld, whose age is all but forgotten when acting beyond the wisdom of her years. Her steadfast personality and no-nonsense attitude is what makes the film bustle and thrive. Matt Damon rounds out the trio as Texas Ranger La Boeuf, whose acting comes readied with comical comebacks and swagger. With all of this, in addition to the handsome terrain and cinematography, it’s no wonder that the Coens’ “True Grit” needs no comparison. But don’t expect a whole lot of gunfights here. This is one Western that chooses style over ammo.

Rating: 4½ stars

The Fighter

Release Date: Dec 17, 2010 

Runtime: 1 hr. 54 min. 

Director: David O. Russell 

Cast: Mark Wahlberg, Christian Bale, Amy Adams, Melissa Leo, Jack McGee.

 

Every year, there comes an inspiring film about a lowly, downtrodden athlete who defeats the odds and rises from the ashes. That being said, it only seems fitting that this year’s prominent winner is aptly titled, “The Fighter.” Mark Wahlberg shines as Mickey Ward, a down-on-his-luck boxer who’s looking to make a name for himself with the help of his experienced, yet problem-riddled brother. Distinguishable amid a talented ensemble cast, Christian Bale gives a tour de force performance as brother, Dicky Eklund, who struggles to balance his love for the sport with his addiction to drugs and violence. Bale’s extraordinary skills as a method actor embody an in depth character study that defines the film, while guaranteeing him an Oscar for his supporting role. Other noteworthy performances include Amy Adams and Melissa Leo, who play the important women in Micky’s life, and ultimately influence his decisions in the ring. In spite of being a boxing movie, however, the fights themselves are rather brief in contrast to the character development. Because of this, the film can be slow and tedious at times while leading up to the final showdown for the Welterweight title. But the terrific acting and directing outweigh the bad, helping "The Fighter" be a win-win situation.

  

Rating: 4 stars

The Tourist

Release Date: Dec 10, 2010 

Runtime: 1 hr. 43 min. 

Director: Florian Henckel von Donnersmarck 

Cast: Angelina Jolie, Johnny Depp, Paul Bettany, Timothy Dalton, Steven Berkoff.

Espionage and deceit. Jolie and Depp. What should have been the makings of a great action thriller is, instead, a dull train ride with little to no surprise or suspense. Acting as a remake for the French film, “Anthony Zimmer,” “The Tourist” starts off with intrigue but doesn’t quite find the momentum it needs to build a story worth viewing. Though the two stars seemed destined to be together on screen, the chemistry comes off as halfhearted and expedited, even against the scenic backdrops of Paris and Venice. The sluggish action and flat script further weaken the plot, which unfolds at a snail’s pace and misses the ‘a-ha’ factor when it finally reveals the twist. Predictable in nature and deficient in humor, you’re better off watching its distant counterpart, “Knight and Day.”

Rating: 1½ stars

The Chronicles of Narnia: The Voyage of the Dawn Treader

Release Date: Dec 10, 2010 

Runtime: 1 hr. 52 min. 

Director: Michael Apted 

Cast: Ben Barnes, Georgie Henley, Skandar Keynes, Will Poulter, Liam Neeson. 

Having already faced the White Witch and an evil King, the third adventure finds two of our youngest heroes on a quest to find the seven lost Lords of Narnia. Aboard the ship called the ‘Dawn Treader,’ Lucy and Edmund reunite with the newly appointed King, Caspian, as they head towards Dark Island to vanquish the evil green mist that has taken over the land. Whereas sounding more complicated than in actuality, “Voyage of the Dawn Treader” is relatively straightforward, benefiting from liberties taken with the source material. Emitting the darkest tone of the franchise, the film takes itself rather seriously, but visibly lacks the magic that made the previous films so engaging. The ‘Narnians’ are a few a dozen, as they are now replaced by human slaves, thieves and a new nuisance in the form of the Pevensies’ cousin, Eustace. But one thing that remains unchanged is the mighty Aslan, voiced by Liam Neeson, who always appears at the most pertinent of times in the line of defense. While the younger audience will take no notice of this, the underlying spiritual message is quite apparent this time around and it makes no effort in trying to hide itself. Nevertheless, the third installment is visually pleasing, if not somewhat entertaining.

Rating: 2½ stars

Tangled

Release Date: Nov 24, 2010 

Runtime: 1 hr. 32 min. 

Director: Byron Howard, Nathan Greno 

Cast: Mandy Moore, Zachary Levi, Donna Murphy, Ron Perlman, Brad Garrett, Jeffrey Tambor.

In what is said to be the last ‘princess’ movie from Disney, comes “Tangled.” A re-imagined story of the classic, Rapunzel, about a girl trapped in an ivory tower with enchanted long hair. Similar to past fairy tales, Disney returns to what it knows best, depicting a strong-willed heroine who falls in love, fights an evil witch and lives happily ever after. But despite sounding formulaic and following a lackluster trailer, “Tangled” manages to surpass expectations and become an instant classic with a contemporary twist. The storytelling, while being whimsical and enchanting, avoids cultural innuendos that usually plague animated features. This, in turn, gives precedence to the memorable characters and beautiful illustrations that make the film so lively. With catchy musical numbers by Mandy Moore and, surprisingly, Zachary Levi, the film brings a reminiscent quality of the early years of Disney, which now seem like a distant memory. If it weren’t for “Toy Story 3” or “How to Train Your Dragon,” this would easily be the best-animated film of the year.

Rating: 4½ stars 

Tron: Legacy

Release Date: Dec 17, 2010 

Runtime: 2 hr. 7 min. 

Director: Joseph Kosinski 

Cast: Jeff Bridges, Garrett Hedlund, Olivia Wilde, Bruce Boxleitner, Michael Sheen, Cillian Murphy.

The Grid. A digital frontier immersed with speeding lights, flying discs and battles to the death. In 1982, “Tron” revolutionized science fiction in film by taking viewers inside the virtual domain of computer programs. Breaking new ground and developing a cult following, it made an impression despite being commercially unsuccessful. Over 20 years later, the sequel is born with the help of greater advancement in technology than ever before. Joseph Kosinski's newly rectified world of "The Grid" is a visual spectacle that dazzles and explodes on screen with every turn. The music, composed by none other than Daft Punk, pumps with electricity and is backed by an impressive 85-piece orchestra, no less. Unfortunately, the excitement ends there as the film's void quickly becomes apparent in terms of character development and dimension. Doe-eyed Olivia Wilde is the only noticeable one to actually humanize her role while many of the other 'programs' appear austere and lifeless. This includes Jeff Bridges' clone, Clu, whose artificial rendering of youth is respectable, yet not fully realistic. What the film lacks in tenor, though, is duly made up by the visual landscape and sensational score; dialogue is almost unrequired against the sights and sounds. While "Tron: Legacy" may not be up to its full potential, the virtual ride is enjoyable beyond the realms of our imagination.

Rating: 3½ stars

Black Swan

Release Date: Dec 03, 2010 

Runtime: 1 hr. 43 min. 

Director: Darren Aronofsky 

Cast: Natalie Portman, Mila Kunis, Vincent Cassel, Barbara Hershey, Winona Ryder. 

Fading the lines between art and film, Darren Aronofsky takes us behind the curtain into the intriguing world of ballet in his latest psychological thriller. “Black Swan” tells the story of a ballet dancer named Nina, whose need for perfection consumes her inwardly and outwardly as she prepares for the role of a lifetime. Natalie Portman, as the troubled and soft-spoken dancer, gives a compelling performance that is reasonably her greatest yet, and no doubt Oscar-worthy. As she faces mounting pressure from both her overbearing mother and cunning instructor, played brilliantly by Barbara Hershey and Vincent Cassel respectively, her emotional turmoil and paranoia begin to manifest and mirror itself within. Acting as stark contrast to Nina's 'White Swan' is her rival Lily (Mila Kunis), who embodies all the wrong ideals and attitude that Portman's character lacks. It is this rivalry that ultimately drives Nina to lose all inhibition and transform into the alter-ego of the 'Black Swan.' As a modernist’s re-envisioning of Tchaikovsky’s “Swan Lake,” the film is darkly entrancing, as it is haunting. It takes time for everything to sink in for you to really appreciate the gravity of the experience. Aronofsky is never one to adhere to genres and it’s clearly shown as the film sways between fantasy and horror. Often times campy, and sometimes self-inflicting, "Black Swan" explores underlying themes of sexual tension and inner demons. The macabre imagery can be difficult to watch at times, but it helps personify the anxiety that the main character is feeling. The choreography is beautifully constructed to impress and terrify, but it's the final act that really captures the true essence of the metamorphosis. With Portman's mesmerizing performance and natural dancing abilities, it would be disappointing to see her not win the top prize.

Rating: 4½ stars