Her

Release Date: Dec 18, 2013 

Runtime: 1 hr. 59 min. 

Director: Spike Jonze

Cast: Joaquin Phoenix, Scarlett Johansson, Amy Adams, Chris Pratt, Rooney Mara.
 

Love is a complex emotion. It excites, it aches, it angers...it swallows you whole. We as humans are capable of such sentiment, but can a machine do the same? Can it feel? From the mind that brought us "Being John Malkovich" and "Where the Wild Things Are," comes a modern day love story unlike any other. Joaquin Phoenix stars as Theodore Twombly, an introverted man searching for companionship. He finds it in the most unlikely of places, an operating system named Samantha voiced by Scarlett Johansson. Together they embark on a fascinating journey – of finding love, seeing the world, and learning what it means to be 'human.' Phoenix gives a mesmerizing performance as a person who wears his heart on a sleeve. Through his endeavors, he experiences a gamut of emotions, which are seamlessly conveyed by just a flick of the face. Though Johansson's character is solely heard through her voice, her presence is genuinely felt in its corporeal entirety. Her personality and warmth emit incredible depth, making this reputably her best role to date. Much like Samantha's curiosity of the world, we as an audience can't help but feel enamored by their love and their ever-evolving relationship through the advancements of technology. Jonze, for his part, creates a subtle future, dismissing flying cars and teleportation in lieu of simpler effects. While the story can be viewed as fantastical and highly improbable, its the relevancy of it all that makes it that much conceivable. With all our hi-tech gadgetries and yearn for connection, who's to say we aren't, in someway, 'in love' with our devices?

Rating: 4½ stars

American Hustle

Release Date: Dec 13, 2013 
Runtime: 2 hr. 9 min. 
Director: David O. Russell 
Cast: Christian Bale, Bradley Cooper, Amy Adams, Jeremy Renner, Jennifer Lawrence.

What elevates a film not only relies upon the director but the very actors that bring his or her vision to life. It takes a team collaboration to periodically reel in success but another to assuredly materialize the script. Thanks to a topnotch cast of heavy hitters, that's exactly what we get in David O. Russell's "American Hustle." Loosely based on the sting operation that took place in the late 70's/early 80's, the film centers on a couple of con artists who get duped into advising the Feds. As one of the few directors who adheres to familiarity, it's no surprise to see stars from Russell's prior productions. Starring Christian Bale and Bradley Cooper, just to name a few, it's a convocation of nominees set out for award show resurgence. Bale miraculously transforms himself again for another physically-altering role, a true testament to his dedication as a method actor. Hardly recognizable under his misshapen toupee, his ever-changing appearance is just a fragment of his already prolific career. 2013 has been a big year for Lawrence and Adams, both playing prominent roles in a handful of pictures. That said, they compete admirably here in a battle for female dominance – Lawrence being another standout as the highly impulsive (or crazy) Rosalyn Rosenfeld. If there's one category this film is destined to win, it's for its stellar ensemble cast, unmatched against its fellow competitors. But aside from that, there are other noteworthy qualities: the hair, the fashion, and of course, the soulful music. It's a step back into time as dutifully shown by the old production cards, all of which conjure memories of Hollywood's past. As the film winds down, the main message is clear. Everyone hustles for something, whether it's love or truth. But in the end, we all share one commonality: we all hustle to survive.
 
Rating: 4 stars

Anchorman 2: The Legend Continues

Release Date: Dec 18, 2013 
Runtime: 1 hr. 59 min. 
Director: Adam McKay 
Cast: Will Ferrell, Paul Rudd, Steve Carell, David Koechner, Christina Applegate, Meagan Good, James Marsden, Kristen Wiig.

Nine years ago, one man changed the face of broadcasting. He read the news, he did it well – and he looked good doing it, too. His name was Ron Burgundy, the pride of San Di-a-go. Lover of scotchy scotch-scotch and a friend to Baxter, he had it all: the woman, the hair, the fame. But all legends must gradually come to an end, and regrettably, the time has come for this well-coiffed anchor. Be it, having fan expectations after a lengthy hiatus, it's hard to look past any indicative flaws. The comedy, for one, is surprisingly unsteady, choppy and incoherent even for its outrageous nature. Sure, it has its moments of nostalgic restitution – remnants of the first film that are lovingly unforgettable. But these in no way outweigh the inescapable bad – forced dialogues of humor as awkward as Brick's ability to think. The extension of characters (Marsden, Good, or Wiig) offer no further consolation, albeit cameos run a dozen in the latter half of the film. One cameo in particular, for which I'll purposely leave unnamed, should stick to their day job if only for the betterment of this world. The story, moreover, is not that different from the first, although it does call upon other stereotypes, ie. race, in the workplace. The great thing about the first "Anchorman" was its incessant staying power, getting better with each viewing and, therefore, more memorable. Maybe in time the sequel can simulate to that effect, but for now it's best to just forgive and forget.

Rating: 2 stars

The Hobbit: The Desolation of Smaug

Release Date: Dec 13, 2013
Runtime: 2 hr. 40 min. 
Director: Peter Jackson 
Cast: Ian McKellen, Martin Freeman, Richard Armitage, Benedict Cumberbatch, Evangeline Lilly, Orlando Bloom, Luke Evans, Stephen Fry.

When we last saw Bilbo (Martin Freeman) he was endlessly on the run, from dangers lurking at every corner. And it's where we continue this much-prolonged journey, not far from where we initially left off. Part two of "The Hobbit" is a filler sequel at best, bridging the gap between the first film and the climactic finale. Equally long and thoroughly detailed, it's a feat on its own considering the brief source material. But where there's a will there's a way and Jackson makes due, offering another engaging chapter in this Tolkien trilogy. Hobbit, Dwarves and Orcs return for this hightailed adventure in action scenes a plenty filled with tension and banter. Furthermore, the inclusion of Legolas (Orlando Bloom) is a welcome sight to see, giving nods to the future, or rather, what has already transpired. Yet perhaps the most anticipated arrival is Smaug himself, the elusive dragon voiced by none other than Benedict Cumberbatch. His deep-set tone effectively personifies the role, as he majestically breathes to life through the help of sleek CGI. Smaug's encounter with Bilbo is easily the high point of the film, with the exception of the barrel roll scene that is notably amusing. Jackson spares no expense when it comes to visual prowess, regularly topping himself with each new installment. But the use of 48fps is still far from appealing, appearing more like a video game rendering than actual movie. At any rate, "Desolation of Smaug" is a gratifying sequel, however stretched it feels to get to the inevitable cliffhanger. The delay is nothing compared to the whole year ahead of us, when "The Hobbit" returns with "The Battle of the Five Armies."

Rating: 3½ stars

Frozen

Release Date: Nov 27, 2013
Runtime: 1 hr. 48 min. 
Director: Chris Buck, Jennifer Lee
Cast: Kristen Bell, Idina Menzel, Jonathan Groff, Josh Gad, Alan Tudyk.

A great, animated Disney movie usually possesses three decisive qualities: memorable songs, lovable characters and invaluable lessons. They're what reinvigorates our childhood and induces excitement – a simpler time when life was sung by melody. With claims boasting this latest as Disney's best animated feature since "The Lion King," it's a tall order to fill thanks to heightened expectations. But "Frozen" deftly performs above and beyond, and is one of the most charming films to release in recent memory. Similar to "Tangled," it's a modernized fairy tale, based loosely on Hans Christian Andersen's story of the Snow Queen. Lighthearted and sweet, and filled with toe-tapping numbers, it's impossible to watch without a smile on your face. Kristen Bell leads the voice cast of Broadway regulars, including Idina Menzel of "Wicked" fame. Though Bell fits the mold well of Disney standards, Menzel feels miscast in the voice of Elsa who appears not much older than Anna (Bell). Gifted with an incredible voice, she almost seems too 'old' for the role and therefore too powerful. This may be attuned to the given song choices, which sound decidedly younger and somewhat 'pop-pier.' Josh Gad provides the comic relief, as the magical snowman Olaf who brings a majority of the laughs. He's just one of the many gems found in the novelty of "Frozen," and that's in addition to the gorgeous animation. Disney has come a long way from 2D renditions and their 3D has only gotten better. One can't help but get lost in the beautiful, arctic landscapes, especially when paired with the catchy tunes. Though gone are the days of classic animation, it's nice to see the continuance of boundless imagination. Case in point: make sure to catch the short film (only in 3D) before the feature presentation. 

Rating: 4½ stars

Oldboy

Release Date: Nov 27, 2013 
Runtime: 1 hr. 58 min. 
Director: Spike Lee 
Cast: Josh Brolin, Elizabeth Olsen, Sharlto Copley, James Ransone, Samuel L. Jackson.

It's one thing to remake a movie and another to remake a cult classic, especially one as revered as "Oldboy," the ground-breaking Korean film based on the Japanese manga. Highly provocative and morally vexing, the original bore no limits when it came to glorifying the violence through the twisted mind of Park Chan Wook. Nevertheless, Spike Lee attempts to brave the impossible and inevitably suffers the common case of déjà vu. In both versions, "Oldboy" tells of a man imprisoned for many odd years only to be released inexplicably to track down his captor. A story doused in mystery and suspense, it's a gripping tale of revenge with an unexpected ending. And here lies the problem that hinders the remake, any element of surprise gone which belittles its sole purpose. Though some details are spared to adapt to a new audience, not much has changed or, more importantly, been improved upon. What made Park's adaptation so arrestingly poignant was its graphic nature and inclusion of metaphors. Lee, on the other hand, has little else to offer, other than a multi-floor hammer scene that still feels inferior. The casting, fortunately, is its only saving grace, as Brolin has epitomized tormented souls for what feels like half of his career (ie. "No Country for Old Men" and "True Grit.") Sharlto Copley continues his turn as villain, mirroring the soft-spoken tormentor played so brilliantly by Yoo Ji Tae. Together they strive towards a resolute ending, each with their own goal and provocation. But in the end it all feels anticlimactic, even with the alteration that perceivably gives some closure. Maybe to unbiased viewers the film will have its merits but to loyalists who were doubtful, there's really not much to see.

Rating: 2 stars

The Hunger Games: Catching Fire

Release Date: Nov 22, 2013
Runtime: 2 hr. 26 min.
Director: Francis Lawrence 
Cast: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Elizabeth Banks, Woody Harrelson, Stanley Tucci, Donald Sutherland, Philip Seymour Hoffman, Lenny Kravitz.

It only takes a spark to start a fire but a girl to ignite a revolution as seen in "Catching Fire," the much anticipated sequel to "The Hunger Games." Following the victory of the 74th annual games, Katniss is now the new symbol of hope for a war-torn nation on the brink of upheaval. But with such fame comes tribulations far beyond her reach and once again she must battle enemies on both sides of the arena. Jennifer Lawrence shines as Katniss Everdeen, an unwitting heroine with a mind of her own. Already pegged as one of Hollywood's favored stars, it's oft forgotten how young Lawrence is with her accomplished demeanor. Yet here she delivers another incredible performance, pushing her to the limits of irrepressible emotions. Also returning are other notable characters, Katniss' support staff and members of the Capitol. Banks and Tucci are as bubbly as ever, with the addition of Philip Seymour Hoffman whose intentions remain ambiguous. Josh Hutcherson plays less of a wounded bird, settling comfortably into the role of friend and savior. Though the story is nearly identical to the first "Hunger Games," the stakes are much higher in the second go-around. With challenges both mentally and physically debilitating, it's a taut thrill ride with greater intensity and prolonged impact (ie. the ending.) Taking over for Gary Ross, director Francis Lawrence faces obstacles of his own, expanding upon Panem and the murderous arena. Fortunately for him, to quote, 'the odds are ever in his favor' and the film is better and bolder as any sequel should be. Flaunting grandiose surroundings and improved special effects, "Catching Fire" should leave fans happy, that is until the epic 2-part finale. As "Mockingjay" isn't set to release until November 2014 and 2015 respectively, it'll be a long wait for those suffering from "Hunger Games" withdrawal. In the meantime, there's always re-reading the book.
  
Rating: 4½ stars

Thor: The Dark World

Release Date: Nov 08, 2013
Runtime: 1 hr. 51 min. 
Director: Alan Taylor 
Cast: Chris Hemsworth, Natalie Portman, Tom Hiddleston, Stellan Skarsgård, Idris Elba.

With Marvel's Phase II now in full effect, there's a perceptible difference between the past and present in their sequential features. More specifically, what happened 'before New York' and 'after New York.' But whereas "Iron Man 3" failed to acclimate to the change, "The Dark World" conforms better, if not for some flaws. Alan Taylor inherits duties from previous director Kenneth Branagh, carrying on the fantastical tale of the mighty Norse god. Set after "The Avengers" and the world-altering events, Thor is now tasked with bringing peace to the realms via his home in Asgard. Chris Hemsworth returns as the hammer-wielding hero having matured progressively since the first film. His confidence is now refined by self-awareness, no longer the selfish boy who only dreamt of acquiring the throne. Beside him, though reluctantly, is his conniving brother Loki, played effortlessly by Tom Hiddleston. There is no one better suited to fit this role, as proven time and time again by his multi-faced egos. Hiddleston shines in being manipulative and his enjoyment is clearly shown through his mischievous grin. This time around the kingdom of Asgard is further displayed, though less stylized and vibrant than Branagh's initial vision. As a result, the scenes don't appear as dimensional as they could be, especially for a world as unique as this. Editing is another issue that plagues the film, jumping from serious to comical without a transitional thought. Scenes feel disconnected and oftentimes choppy, relinquishing a sense of purpose or reasoning. But if there is one thing that is lacking in the first "Thor" film, it is the presence of big action sequences that engulf "The Dark World." With character introductions (other than the Dark Elves) out of the way, Taylor has free reins to grander schemes, whether it's destroying London or teleporting through space. Any form of logic is purposely cast aside because at the end of the day, it is a comic book movie. While "The Dark World" may not surpass its predecessor, it's still a fun entry in the ever-expanding Marvel universe. Next up: "Captain America: The Winter Soldier."

Rating: 3½ stars

Captain Phillips

Release Date: Oct 11, 2013 
Runtime: 2 hr. 13 min. 
Director: Paul Greengrass 
Cast: Tom Hanks, Catherine Keener.

As the year winds down, the awards' season is merely ramping up, for the ultimate showdown of talents and films alike. At the forefront is Paul Greengrass' "Captain Phillips," based on the Maersk Alabama hijacking back in 2009. Recalling the attacks by Somali pirates and the courageous action of the crew, it's a tense, dramatic thriller worthy of review. Starring Hanks as the titled hero opposite a cast of unknowns, the film takes an objective approach to looking at two sides of the story. Alternating between the crew and the Somali pirates, the contrast of motives is intriguing and highly insightful. Disparately, the buildup is slow and long, adding to the runtime and delaying the onslaught of anxiety. But the last 40 minutes are a ticking time bomb waiting to explode, with the last 10 affirming why Hanks is still one of the greatest. His experienced turmoil is deeply compelling, bearing down on the soul and eliciting powerful emotions. With "Gravity" gaining momentum and a slew of high caliber films coming down the pipeline, "Captain Phillips" will be have plenty to compete for in the upcoming months. But if the past is any indication, Hanks will have his fighting chance. After all, he's been lost at sea before.

Rating: 4 stars

Gravity

Release Date: Oct 04, 2013
Runtime: 1 hr. 31 min. 
Director: Alfonso Cuarón 
Cast: Sandra Bullock, George Clooney.

Space. Infinite...awe-inspiring...and utterly terrifying. It's the fabric to Alfonso Cuarón's highest achievement yet, and one of the most ground-breaking films in cinematic history. Known for his unique dexterity of single-shot sequences, Cuarón delivers another stunning masterpiece that defies the laws of physics. The first 10 minutes alone will leave you breathless with sweeping views of Earth followed by heart-pounding suspense. The singularity of perspectives, moving in and behind the helmet glass, is truly remarkable – fully immersing you in the environment as well as the mindset. Sandra Bullock gives a phenomenal performance as first time mission specialist, Ryan Stone. Her vulnerability and fears are captured in range, whether careening through space or confined in a capsule. Using visual metaphors to embody humans' resilience and will for survival, Cuarón sheds new light into the blackness of space and depths of despair. The cinematography is one to be savored, further glorified in IMAX and even 3D. Accompanied by a moving score by Steven Price, each scene is as enrapturing as the first and seemingly tangible. Though Cuarón has only directed a handful of films, "Gravity" may just be the push he needs to get his Oscar nomination. Til then, experience space like you've never experienced it before.

Rating: 5 stars

Don Jon

Release Date: Sep 27, 2013  
Runtime: 1 hr. 29 min. 
Director: Joseph Gordon-Levitt 
Cast: Joseph Gordon-Levitt, Scarlett Johansson, Julianne Moore, Tony Danza.

Sex, love...or something like that. Marking the directorial debut of Joseph Gordon-Levitt is a (not so) romantic comedy about relationships and its abject complexities. JGL stars as Jon Martello, a womanizer and church goer who's addicted to porn. When the woman of his dreams catches his eye, his once orderly life gets thrown into disarray. Having starred in a variety of films much to critical acclaim, Gordon-Levitt proves again his prowess as a skillful chameleon. Going full-on guido for the role, and convincingly so, he plays a dislikable character who must mend his ways. Stepping behind the camera, he seems like any seasoned pro, showing off his artistic flair and knack for creativity. The interjection of scenes with bursts of erotica is visually stimulating and striking, if not somewhat overpowering. That being said, the repetition of frames can get dull at times, though it does lay the framework for which the story aligns. Humor is key to any good relationship and "Don Jon" is clearly no exception. Highly entertaining and intermittently relatable, it's a non-stop riot, especially in the woes of dating. While the film objectifies sex and fixates on stereotypes, the satirical nature is key in keeping it leveled. Bringing freshness to an industry overrun with veterans, the career path looks bright for this rising, young director.

Rating: 3½ stars

The World's End

Release Date: Aug 23, 2013 
Runtime: 1 hr. 49 min. 
Director: Edgar Wright 
Cast: Simon Pegg, Nick Frost, Paddy Considine, Martin Freeman, Eddie Marsan.

They say old habits die hard and for a group of five friends it may just be their demise. Marking the conclusion to the "Three Flavours Cornetto" trilogy is "The World's End," a buddy comedy with an extraterrestrial twist. Reuniting Pegg and Frost alongside director Edgar Wright, it's a rousing good time for the comedically bonded trio. Pegg leads the pack as Gary King, a recovering alcoholic still living in the past. Ever longing for the elusive 'Golden Mile' – 12 pubs, 1 night – he gathers up his old gang to finish the feat. Joining his quest is a handful of British actors, many of whom starred in previous collaborations. Comparable to a high school reunion, it's fun while it lasts until disillusionment kicks in. The story itself is predominantly entertaining, mixing intoxication with 'robots' in a bizarre amalgamation. It's this offbeat humor that makes it wildly distinctive, even when the ending feels long and strangely concocted. The bromance between Pegg and Frost is incontestable as they've faced more trials and tribulations in any given situation. From zombies in "Shaun of the Dead" to cops in "Hot Fuzz," there's no shortage of satires that these guys can't handle. Though this may be the end to one enjoyable series, we can assume they'll be back, one pub or another.

Rating: 3½ stars

Elysium

Release Date: Aug 09, 2013
Runtime: 1 hr. 49 min. 
Director: Neill Blomkamp 
Cast: Matt Damon, Alice Braga, Jodie Foster, Sharlto Copley, William Fichtner, Diego Luna.

Gone are the days of a utopian future, where teleportation and hovercrafts are a commonplace luxury. Welcome instead to widespread poverty, where only wealth buys you refuge and a ticket to salvation. From the director of "District 9" comes a grim look at society, and the division that befalls the citizens who inhabit it. Matt Damon stars as ex-con/industrial worker Max Da Costa, living amongst the poor left on decrepit Earth. When an accident leaves him debilitated and at death's door, his only hope lies in Elysium, a haven a world apart. Following the success of his first feature film, Blomkamp attempts to repeat it again, in this smart sci-fi thriller that's emboldened with symbolism. Examining the caste system between the rich and the poor, it's another example of his proficiency in cultural relevance. But while the idea is sound and duly enlightened, the execution is less so in eliciting excitement. Moving languidly with buildup and interspersed with violence, the film feels devoid of tension or compassion found in "District 9." The characters, for one, are mostly disposable, neither giving nor deserving of any real-life empathy. Jodie Foster, in particular, is a questionable enigma, with an accent that's suggestive of an identity disorder. And though Damon is admissible as the anti-hero, it's Sharlto Copley that revels in spotlight glory. Going from meek to sinister at the flip of a switch, it's interesting to see what he'll do next in Spike Lee's "Old Boy." With a handful of sci-fi and dystopia behind us, it's hard to imagine what our true future will hold. For now, here's to wishful thinking.

Rating: 2½ stars