Star Wars: The Last Jedi

Release Date: Dec 15, 2017 
Runtime: 2 hr. 32 min. 
Director: Rian Johnson 
Cast: Mark Hamill, Carrie Fisher, Daisy Ridley, Adam Driver, John Boyega, Oscar Isaac, Kelly Marie Tran, Andy Serkis, Domhnall Gleeson, Laura Dern, Anthony Daniels, Gwendoline Christie, Benicio del Toro, Lupita Nyong'o.

It's been well over 20 years since I first experienced the grandeur of George Lucas' Star Wars, yet hearing that familiar overture still gives me the chills. Continuing on in what is to be the second to last of the Skywalker Saga, Rian Johnson takes on the insurmountable task of appeasing the fans. If there was one criticism of "The Force Awakens," it was the overwhelming similarities it possessed with "A New Hope." Taking cue, Johnson deliberately breaks the mold, but it's a decision that's rather divisive in nature. While some may argue that "Last Jedi" is a weak link in the canon, it just proves that fans are wary of change. The main issue seems to lie in the attachment to these characters, especially to the originals who have sparked a renewed interest. As standards run incredibly high, the film has no chance but to fall short of expectations. Is it the best since "The Empire Strikes Back?" Probably not. But there are still redeeming qualities that make this a respectable entry. The music, for one, is a return to familiarity – a mix of nostalgia and excitement that only John Williams can offer. Mark Hamill gets grittier in his portrayal of Luke Skywalker, delivering a stoic yet seasoned performance. The late Carrie Fisher takes a final bow as one of the most beloved characters to emerge from the series. Though her presence is bittersweet and left open-ended, one can't help but wonder what could've been in the climactic finale. The rest of the cast is rounded out by the returning members from "The Force Awakens," with the addition of Kelly Marie Tran as an ambitious engineer. If there's one thing I appreciate about this updated Star Wars universe, it's the diversity it brings to characters both big and small. The increase in humor, however, seems off for the series, which is usually expressed in minimal doses. At times it would feel forced and longwinded, causing moments of bemusement and disconnect. In addition, some of the characters don't feel fully fleshed out, or given trivial storylines to fill in the gaps. Still, there is a good amount of surprise to be held, albeit different from what many have theorized and speculated. The mysteries surrounding Rey and Kylo Ren are considerably unraveled, but as to how much of it is true is yet to be determined. With J.J. Abrams coming back for Episode 9, it should be interesting to see how this trilogy concludes. After years of ostracizing those questionable prequels, it will be gratifying to bid farewell in a more reputable manner.

Rating: 3.5 stars

Lucy

Release Date: Jul 25, 2014 

Runtime: 1 hr. 28 min. 

Director: Luc Besson 

Cast: Scarlett Johansson, Morgan Freeman, Choi Min-Sik, Amr Waked.

It's often misconstrued that humans only use 10% of their brains...but that's all you'll really need to watch this mind-numbing excursion. From the man who brought us films such as "Léon: The Professional" and "The Fifth Element," comes a cerebral, sci-fi thriller that is far from believable. Scarlett Johansson stars as a woman living abroad, who gets duped into becoming a drug mule for a temperamental gangster. When she inadvertently absorbs the substance through a turn of events, she acquires powerful enhancements beyond human compulsion. It's another fantastical look at the seeds of evolution, but one that's unimaginative and all too familiar. Resembling the guise of "Limitless" and the abysmal "Transcendence," "Lucy" struggles to find novelty in a burgeoning spectrum. Contrary to appearance, the action is detracted, replaced by scientific theories and time manipulation. As Lucy grows stronger, the film grows weaker, as there's no viable threat to her infinite powers. Johansson, for her part, shows some moments of vulnerability but the supporting cast has little else to offer. Freeman's mainly there to speak his words of wisdom, while Choi Min-Sik as a villain is regretfully one dimensional. Through it all, plenty of philosophical questions are raised but not enough answered to keep it coherent. While Besson may get away with some neat visual attractions, it can't help save this muddled feature.

Rating: 1½ stars

Dawn of the Planet of the Apes

Release Date: Jul 11, 2014
Runtime: 2 hr. 10 min. 
Director: Matt Reeves 
Cast: Jason Clarke, Andy Serkis, Gary Oldman, Keri Russell, Kodi Smit-McPhee.

If evolution has taught us anything in the past, it's that change is inevitable and oftentimes for the better. So it comes as no surprise that "Dawn" exceeds all odds, making it a far superior sequel to its praised predecessor. In the aftermath of the virus, the human population is now dwindling, ensuing in a standoff between survivors and apes. As nature threatens to harm their coexistence, it's up to Caesar to fight or willfully make peace. Matt Reeves takes over directing duties from Rupert Wyatt, expanding the visionary masterpiece that was "Rise of the Planet of the Apes." With the continuance of motion capture, the apes are more realistic than ever, as they commandeer the plot in every way possible. The brilliance of Andy Serkis, along with his fellow simian actors, is the very heart and soul of this pulse-pounding saga. Where there is tension and suspense, there is also a wealth of emotions, as every nuance is defined by their actions and movements. Reeves does a great job in building the story, from the variations of civilization to the surges of battle. Each character has his or her own place in the film – no human or ape disfavored for the other. As the drama surmounts, each sense is engaged, in an edge-of-your-seat thrill ride that never lets go. Of course, inevitability takes its course at the end of it all, with the only conclusion left to garner a sequel. But if "Dawn" proves one thing well, and one thing only, it's that there's always two sides to a story.

Rating: 4½ stars

Edge of Tomorrow

Release Date: Jun 06, 2014
Runtime: 1 hr. 53 min.
Director: Doug Liman 
Cast: Tom Cruise, Emily Blunt, Bill Paxton, Brendan Gleeson.

In a torrent of sequels and reboots, it's an oddity to find a standalone worth keenly pursuing, coupled with a Tom Cruise actioner that is different and inventive. But "Edge of Tomorrow" is an exhilarating joyride, and a bigger surprise than ever anticipated. Based on the Japanese light novel, "All You Need Is Kill," the story revolves around a war between the humans and an alien species called 'Mimics.' Tom Cruise stars as Major William Cage, a timid, military spokesperson forced to partake in the invasion. After he dies quickly in his first bout of battle, he inexplicably reawakens the day before, again...and again. It's a concept reminiscent of countless movies past, with repeated calamities resulting in varying outcomes. But whereas repetition can typically be an undermining factor, Liman creates a sharp sci-fi thriller that's thoroughly engaging. Cruise gets credit for evolving his character, from being cowardly to fearless, as we've all come to know him. Each 'reset' is unique in its ramifications, oftentimes humorous and abrupt to offset the rhythm. The fast-paced nature is the strength of the film, as it reloads and maneuvers from one take to another. Emily Blunt gives a bad-ass performance in her first action role as the 'Angel of Verdun.' Her camaraderie with Cruise is enjoyable to watch, as they strategize against an enemy who seems impossible to defeat. Unfortunately, the ending falls short of a consummate win, neither effective nor impulsive as it could have been. But that set aside, "Edge of Tomorrow" is hands-down one of the most gratifying films of the summer, and exactly what makes Tom Cruise a bona fide action star.

Rating: 4 stars

Robocop

Release Date: Feb 12, 2014 
Runtime: 1 hr. 48 min. 
Director: José Padilha 
Cast: Joel Kinnaman, Gary Oldman, Samuel L. Jackson, Abbie Cornish, Michael Keaton, Jackie Earle Haley, Jay Baruchel, Marianne Jean-Baptiste.

The 1980's were an emblem of cutting-edge science fiction – with films such as "The Terminator," "Blade Runner," and of course the mentionable "Robocop." And with all of our modern day updates it was only a matter of time, before another resurrection occurred for a new generation. Enter 2014's next line of defense: armed, locked and loaded...and painted in black. Joel Kinnaman steps into the role made famous by Peter Weller – part human, part machine as the purveyor of justice. As with all bold remakes, comparisons are inescapable, but a willingness to succeed is a progress in itself. José Padilha attempts to do so with his contemporary interpretation: a sleeker, more mobile military machine. Far agile and futuristic than its bulky predecessor, it adheres to Murphy better as a bodily entity. Abundant time is spent on setting up this premise, as he transitions from one physical outlet to another. But as a result, it takes time away from the original objective of the film, carrying out the law instead of confined to a laboratory. With that, it becomes an origin story by default, but a mundane and lethargic one at that. The editing is a drawback to the efficacy of the film, composing of awkward transitions and shaky camera movements. It doesn't help that Kinnaman is stoic as a human as he is a robot, lacking the emotional justification of Murphy/Robocop's actions. Thankfully Oldman and Keaton bring a nice balance to the mix, each with opposing views on morality. And then there's Samuel L. Jackson with his incessant yelling, always tried and true. Though this "Robocop" will ever be deemed a remake, at the end of the day it's about the individuality of the film and its ability to withstand the present. Whether it's new and improved will be anybody's call.

Rating: 3 stars

Elysium

Release Date: Aug 09, 2013
Runtime: 1 hr. 49 min. 
Director: Neill Blomkamp 
Cast: Matt Damon, Alice Braga, Jodie Foster, Sharlto Copley, William Fichtner, Diego Luna.

Gone are the days of a utopian future, where teleportation and hovercrafts are a commonplace luxury. Welcome instead to widespread poverty, where only wealth buys you refuge and a ticket to salvation. From the director of "District 9" comes a grim look at society, and the division that befalls the citizens who inhabit it. Matt Damon stars as ex-con/industrial worker Max Da Costa, living amongst the poor left on decrepit Earth. When an accident leaves him debilitated and at death's door, his only hope lies in Elysium, a haven a world apart. Following the success of his first feature film, Blomkamp attempts to repeat it again, in this smart sci-fi thriller that's emboldened with symbolism. Examining the caste system between the rich and the poor, it's another example of his proficiency in cultural relevance. But while the idea is sound and duly enlightened, the execution is less so in eliciting excitement. Moving languidly with buildup and interspersed with violence, the film feels devoid of tension or compassion found in "District 9." The characters, for one, are mostly disposable, neither giving nor deserving of any real-life empathy. Jodie Foster, in particular, is a questionable enigma, with an accent that's suggestive of an identity disorder. And though Damon is admissible as the anti-hero, it's Sharlto Copley that revels in spotlight glory. Going from meek to sinister at the flip of a switch, it's interesting to see what he'll do next in Spike Lee's "Old Boy." With a handful of sci-fi and dystopia behind us, it's hard to imagine what our true future will hold. For now, here's to wishful thinking.

Rating: 2½ stars

Pacific Rim

Release Date: Jul 12, 2013
Runtime: 2 hr. 11 min. 
Director: Guillermo del Toro 
Cast: Charlie Hunnam, Idris Elba, Charlie Day, Rinko Kikuchi, Ron Perlman.

From visionary mastermind Gullermo del Toro, comes the ultimate summer blockbuster in retro glory. Channeling classic 'robot anime,' commonly referred to as 'mecha,' "Pacific Rim" is a reverent homage to never growing up. In a future where Kaijus (Japanese: monster) are rampant in number, Jaegers (German: hunter) are built to fight brawn for brawn. Operated by pilots via what's called a 'neural bridge,' man and machine must become one as the last line of defense. The sheer breadth of these battles are simply astounding, pitting robot versus beast in the depths of the Pacific. Darkly stylized in perpetual rain, del Toro spares no expense in embracing the ambiance. With such focus on appearance, character back-stories are sidelined, offering glimpses of memories as collateral substitution. While this makes the film shallow in terms of development, it's generally what's expected for this type of genre. Charlie Hunnam leads the cast of mismatched characters, from the ever-serious Idris Elba to comic relief Charlie Day. Though representing the last stance of the stricken human race, they're no more than tiny figurines in this colossal-sized picture. Charged by an electrifying score by Ramin Djawadi, "Pacific Rim" is front and foremost about Jaegers and Kaijus. Action-packed and visually stimulating, they're a manifestation of any kid's (or adult's) fantasy that's larger than life. Granted, this isn't del Toro's greatest masterpiece, it ranks high in this summer's go-see movies.

Rating: 4 stars

Star Trek Into Darkness

Release Date: May 16, 2013  
Runtime: 2 hr. 12 min. 
Director: J.J. Abrams 
Cast: Chris Pine, Zachary Quinto, Karl Urban, Benedict Cumberbatch, Zoe Saldana, Simon Pegg, John Cho, Anton Yelchin, Bruce Greenwood, Peter Weller, Alice Eve.

Four years ago, audiences returned to the final frontier, where the voyage of the starship Enterprise resumed for a new generation. Feeling contemporary for novices, and refreshingly original for Trekkies, "Star Trek" was a prime example of how to invigorate a series that was decrepitly out of touch. But if one man could do it, it was J.J. Abrams. And if "Star Trek" was merely the tantalizing appetizer, then "Darkness" is undoubtedly the satiating main course. Beginning with an intense escape from a newly-discovered world, the sequel feels immeasurably different from its aforementioned predecessor. Injected with warp speed and hand-to-hand combat, there's less trekking and passivity than is usually associated. Captain Kirk and his crew are now comfortably settled in, with the return of a cast that is exceedingly seamless. Pine, as the fearless leader, faces more personal provocations, while Quinto as Spock undergoes changes, both emotionally and physically. It's nuances like these that Abrams excels at, imbuing sentiment and empathy when scenes call for explosions. Alice Eve joins the cast as a vital character, but it's Benedict Cumberbatch who takes center stage as the ambiguous John Harrison. Mainly known for his work as BBC's "Sherlock," Cumberbatch proves to be a formidable villain for the Starfleet and Enterprise. His vindictive drive is apparent in his tactical pursuits, but it's his true motive that may come off (or not) as a familiar surprise. While some may have hoped for another original storyline after the time continuum shift, the film does give a modern update for those who are less acquainted. Filled with more action sequences than can possibly be imagined, "Into Darkness" feels almost more like "Star Wars" than "Star Trek" — an irony in itself since Abrams is set to helm that as well. While he'll most likely not return for another "Trek" sequel, it's thrilling to see how he'll tackle George Lucas' world which is vastly different. Either way, he's set to go 'where no man has gone before.'

Rating: 4 stars

Oblivion

Release Date: Apr 19, 2013 
Runtime: 2 hr. 5 min.
Director: Joseph Kosinski 
Cast: Tom Cruise, Olga Kurylenko, Morgan Freeman, Andrea Riseborough, Nikolaj Coster-Waldau, Melissa Leo.

2013 is briskly shaping up to be the year of sci-fi, with a hefty slate of films geared up in imminent fashion. Thus it only seems fitting that the first to climb on deck is "Oblivion," Joseph Kosinski's homage of sorts to the inveterate genre. Taking place in the year 2077, we open on a desolate Earth, sixty years after an alien invasion nearly wipes out mankind. The remaining inhabitants, Tech #49 and communications officer Victoria, work as drone maintenance in pursuance of providing resources to continue civilization. It's here that the story breaks ground in establishing a breathtaking world, with impressive vistas and ravaged landmarks that are instantly recognizable. Kosinski's eye for aesthetics is obviously simple, through his sleek design and immaculate structures — much like his approach to "Tron: Legacy." So where the film falters is certainly not by its looks, as it's what's in the inside that calls for closer observation. "Oblivion" is seemingly enthralling at first, as the trailer leaves more to the imagination than the bare premise. But it takes time to really determine where it's heading, as the buildup is deliberately measured over the course of two hours. And while the story itself is an original by the director, one can't help but notice the similarities it shares with many sci-fi films before it, including, oddly enough, Pixar's "Wall-E." That said, the foreshadowed twist is disappointing in terms of creativity, as it's this overused escape route that depreciates the plot line. Still, there are some redeeming qualities that keep it afloat — the music, for one, playing a key role. As a way of emulating Daft Punk and their personal spin on "Tron: Legacy," Kosinski enlists the help of French group M83 to compose the tracks, making for a parallel but subdued tonality. Additionally, Tom Cruise slips comfortably back into his superstar persona, playing the vulnerable but persistent Jack Harper. Morgan Freeman, however, is mostly forgotten, as his screen time is equivalent to no more than a cameo. In any event, "Oblivion" is best enjoyed for its beauty and that alone because once "Star Trek Into Darkness" arrives, it will only be a distant memory.

Rating: 2½ stars

Total Recall

Release Date: Aug 03, 2012 

Runtime: 1 hr. 49 min. 

Director: Len Wiseman 

Cast: Colin Farrell, Kate Beckinsale, Jessica Biel, Bryan Cranston, Bokeem Woodbine, Bill Nighy.

Tired of the same routine and looking for something more? Welcome to Rekall: where your wildest fantasies can become a reality. Based on the short story by Philip K. Dick comes the second adaptation set in the distant future. In 2084, the world is torn between the rich and the poor — The United Federation of Britain versus The Colony. Stuck in the everyday grind, factory worker, Douglas Quaid, seeks a source of escape, visiting Rekall for a memory implantation. But as circumstance would have it, he gets more than he bargained for, triggering his past recollection that was meant to be erased. Colin Farrell plays the mistaken Quaid, taking the place of Arnold Schwarzenegger who had starred back in his heyday. Having already had success in the last year with "Horrible Bosses" and "Fright Night," Farrell returns to the genre that jump-started his career. Yet, unlike Arnold who had a way of bolstering his presence in the film, Farrell seems to fade into the background, being heavily overpowered by his surroundings. This correlates with the assertion, 'style over substance,' which Director Len Wiseman is all too familiar with. In what could only be described as "Blade Runner" meets "The Fifth Element," Wiseman pulls out all the stops in offering up a dystopian world that's glossy and drab, all at the same time. Hovering crafts and planetary core traveling are just some of the brassy by-products of the special effects, while nifty camerawork livens up the action that comes at staccato clicks. It's what Wiseman knows best, and works well with, but it doesn't abate the fact that it's still a remake, turned reboot. Obvious resemblances aside, the suspense and ambiguity are what's adequately missing in a film that questions reality. Offbeat from the original which took place on Mars, the hidden objective behind this futuristic world has less urgency than before, thus less tendency for us to care. Also, whether it's the script or weak acting, there is recurrently awkward dialogue that feels misplaced. If there's a silver lining in redoing this classic, it's seeing Kate Beckinsale do some high-powered brawling. She's not just a pretty face to boost the ratings...though that probably wouldn't be such a bad idea considering how poorly the film debuted. Whilst "Total Recall" is a far inferior remake/reboot, it works as a standalone action flick with the minimalist of standards. Just enjoy the scenery because that's all you'll really remember.

Rating: 2½ stars

In Time

Release Date: Oct 28, 2011 

Runtime: 1 hr. 55 min. 

Director: Andrew Niccol 

Cast: Justin Timberlake, Amanda Seyfried, Cillian Murphy, Vincent Kartheiser, Olivia Wilde.

If you had a chance at immortality, would you steal it? That's the quandary posed in Andrew Niccol's dystopian thriller, where the rich can live forever and the poor die young. In a Marxist future, 'time' has become the standard currency, with life hanging in the balance a year after the age of 25. When factory worker, Will Salas, is wrongly accused of murder, it's up to him to clear his name and fight the system that controls existence, before his clock inevitably runs out. In his first action role, Justin Timberlake is mediocre at best, attempting to make the most out of a flawed character and script. While the concept is fascinating on an intuitive level, various plot holes make the world in which Niccol envisions to be haphazard, resulting in an half-baked idea that never really coalesces. How did some people gain all that time? And why does it transfer so easily? Additionally, the reality of having everyone age the same way causes the roles to become oddly skewed. For instance, Olivia Wilde as Timberlake's mother is much harder to believe than Kartheiser's portrayal as Seyfried's father. This leads to the interesting notion of how difficult it is to judge a person's age mainly by appearance alone. Though "In Time" seems underdeveloped for an impending future, the moral is clear from the get-go, and ever relevant to our ongoing situation. Greed remains the same, no matter the form.

Rating: 2½ stars

Rise of the Planet of the Apes

Release Date: Aug 05, 2011 

Runtime: 1 hr. 50 min. 

Director: Rupert Wyatt 

Cast: James Franco, Freida Pinto, John Lithgow, Andy Serkis, Brian Cox.

It’s been tried and true that reboots have gained a newfound regard when it comes to reviving past franchises, whether outdated or overkilled. Case in point is “Planet of the Apes,” which has brought forth a number of adaptations, sequels, and one failure of a remake to date. But despite facing the critical challenges of leading up to the original mastered by Charlton Heston, “Rise of the Planet of the Apes” does it intelligently well, and brings a novelty that sets it on its own course in history. Placed in modern times, James Franco plays a scientist searching for an Alzheimer’s cure through the testing of chimpanzees. What begins as a genetic experiment, results in heightened intelligence, and consequently sets in motion the uprising of a new breed. Normally one to dictate his roles, Franco forgoes his usual persona, opting for a subdued performance that is simply passable by any standards. The same goes for the rest of the cast that makes less of an impression when compared to the wonder that is Andy Serkis. As Caesar, he incorporates all the traits of a method actor, and commands the screen in every way possible. Witnessing this solely computerized chimp is comparable to the awe of first seeing “Jurassic Park,” or the most recent, “Avatar.” Digital renderings have come a significantly long way, replacing the actual need for specimens that can sometimes be limiting in what they can do. Resultantly, we get a primate that showcases a range of emotion that is equivalent to any human being, and which in return warrants empathy. While not the most action-packed reboot, it certainly engages the mind, and makes up for earlier flaws present in Tim Burton’s interpretation. It's suspenseful and recreates the thrill of discovering an alternate reality, let alone a new franchise. Though August is generally prone to bringing lukewarm activity, “Rise of the Planet of the Apes” proves otherwise and delivers a solid movie that is as good as any popcorn flick can get.

  

Rating: 4 stars

Cowboys & Aliens

Release Date: Jul 29, 2011 

Runtime: 1 hr. 58 min. 

Director: Jon Favreau 

Cast: Daniel Craig, Olivia Wilde, Harrison Ford, Sam Rockwell, Paul Dano.

Genres mash-up when the Wild, Wild West meets outer space in Jon Favreau's follow-up project to the mega-success of "Iron Man." Based on a graphic novel of the same title, "Cowboys & Aliens" initially sounds like a rollicking good time, with big stars and an interesting premise. But a thin script and slack dialogue are just a few of many that make this summer blockbuster a humdrum saddle ride through the desert. Does it deliver on its namesake? Sure. There are plenty of cowboys shooting guns and aliens causing mayhem, exactly what you can expect from such a setup. Even Harrison Ford gets in on the action with his glowers and retribution, while the rest of the cast is solid in playing their parts. But with all said and done, the film never really goes any place special, and it takes awhile to gain momentum despite being a western. Halfway through the story feels like a complete synopsis, and only then is it revealed that the reasoning behind the invasion is little more than illogical. Rarely suspenseful or purposely droll, “Cowboys & Aliens” doesn’t go beyond what’s required, and it’s a shame because it could have had potential as a newly shaped genre. By any means, Favreau has already proven in the past that he can do great things when it comes to comic books. This just wasn’t one of them.

Rating: 1½ stars

Super 8

Release Date: Jun 10, 2011

Runtime: 1 hr. 52 min. 

Director: J.J. Abrams 

Cast: Kyle Chandler, Elle Fanning, Noah Emmerich, Ron Eldard, Katie Lowes.

At a time when innocence and adventure went hand-in-hand, such films were synonymous with the name of Steven Spielberg. Years later, as past meets present, we take a trip down memory lane in J.J. Abrams' third directorial effort, “Super 8.” Set in a small fictional town in Ohio, a group of kids witness a train derailment while filming a zombie movie on a handheld camera. Shortly after, strange disappearances begin to occur, as they uncover a mystery that has remained hidden until now. Seeing as imitation is the kindest form of flattery, J.J. Abrams doesn’t stray far from its roots, borrowing elements and including his own, in a genre that has been predominantly occupied by his prolific mentor. Already a household name to many, Abrams applies his well-known method of secrecy to keep the plot unraveling at a gripping pace, while evoking curiosity at every turn. Relationships run deep as the story unfolds, as it’s the heart of the characters that binds it together. Comprised of mostly first-time, young actors, the casting is reminiscent of “E.T.” and “The Goonies.” Each, convincing in age and stature, that you almost forget they’re acting to a script in the first place. Comparably, one who isn’t so novice to the silver screen is Elle Fanning. With her level of maturity, she gives a standout performance, confirming the likelihood of following in the footsteps of her famous sibling. While the story outwardly appears to be a product of the 80’s, it goes without saying that there are flaws to be mended. When the mystery is finally revealed, it feels out of context in comparison to the visual depiction of suburbia. Furthermore, the ending is more or less expected, especially when akin to so many older films in the past. Regardless, Abrams continues his winning streak, adding another solid entry to his rapidly growing sci-fi roster. Where he goes next is anyone’s guess. But here’s to hoping it’s the ‘Enterprise.'

Rating: 4 stars

Battle: Los Angeles

Release Date: Mar 11, 2011 

Runtime: 1 hr. 56 min. 

Director: Jonathan Liebesman 

Cast: Aaron Eckhart, Michelle Rodriguez, Ramon Rodríguez, Bridget Moynahan, Ne-Yo, Michael Peña.

Having survived natural disasters, buddy cops and cheesy rom-coms alike, the city of Los Angeles prepares to face its biggest adversary yet: extraterrestrials. But this is one battle that falls behind neutral lines. Riddled by movie clichés and amateur camerawork, “Battle: LA” does little to improve upon the 90’s favorite, “Independence Day.” But it does succeed in overshadowing its inferior counterpart, “Skyline.” From opening scene, the story propels into intense action that doesn’t relent until the closing credits. The character introductions seem run of the mill as they clearly take a backseat to the heavy artillery and explosions that encompass the film. At the forefront is U.S. Marine Staff Sergeant Nantz, played with steely force by Aaron Eckhart, who must save civilians, while simultaneously ward off the celestial enemy. While Eckhart makes the most of his mediocre dialogue and back-story, the rest of the cast seems lost and futile. Bridget Moynahan, with her trivial role, seems like a wasted paycheck that could have been well spent on hiring a more experienced director. But all is well when Michelle Rodriguez is there to save the day, per usual, with her offhand attitude and mastery with guns. With an uninspired score and inconclusive finish, that’s the most you can ask for from a sci-fi war film.

Rating: 2½ stars

Tron: Legacy

Release Date: Dec 17, 2010 

Runtime: 2 hr. 7 min. 

Director: Joseph Kosinski 

Cast: Jeff Bridges, Garrett Hedlund, Olivia Wilde, Bruce Boxleitner, Michael Sheen, Cillian Murphy.

The Grid. A digital frontier immersed with speeding lights, flying discs and battles to the death. In 1982, “Tron” revolutionized science fiction in film by taking viewers inside the virtual domain of computer programs. Breaking new ground and developing a cult following, it made an impression despite being commercially unsuccessful. Over 20 years later, the sequel is born with the help of greater advancement in technology than ever before. Joseph Kosinski's newly rectified world of "The Grid" is a visual spectacle that dazzles and explodes on screen with every turn. The music, composed by none other than Daft Punk, pumps with electricity and is backed by an impressive 85-piece orchestra, no less. Unfortunately, the excitement ends there as the film's void quickly becomes apparent in terms of character development and dimension. Doe-eyed Olivia Wilde is the only noticeable one to actually humanize her role while many of the other 'programs' appear austere and lifeless. This includes Jeff Bridges' clone, Clu, whose artificial rendering of youth is respectable, yet not fully realistic. What the film lacks in tenor, though, is duly made up by the visual landscape and sensational score; dialogue is almost unrequired against the sights and sounds. While "Tron: Legacy" may not be up to its full potential, the virtual ride is enjoyable beyond the realms of our imagination.

Rating: 3½ stars

Avatar

 Release Date: Dec 18, 2009 

Runtime: 2 hr. 30 min. 

Director: James Cameron 

Cast: Sam Worthington, Zoe Saldana, Sigourney Weaver, Stephen Lang, Michelle Rodriguez.

If ever there was a film that sets standards and leaps new bounds, it's James Cameron's latest dream project, "Avatar." So much hype and speculation has surrounded this film for years before we even saw any indication of what it was about. Now, we've become acquainted with a new and spectacular world that rivals even the greats such as "Star Wars" and "Lord of the Rings." While the story itself focuses on a simplistic goal and purpose, the characters and their surroundings are really what make this film so engaging. From beginning to end, the visuals are absolutely breathtaking, allowing you to immerse yourself like never before. Every detail, every movement is so believable that in anyone's mind, this fictional world of Pandora and the Na'vi really exists. James Horner's score is beautifully crafted as a backdrop to each scene. The only negative, if I had to nitpick, is the story in which the originality falls a bit short. Having watched "Ferngully" as a child, this film greatly draws from similar themes. Nevertheless, "Avatar" easily surpasses expectations and is quick to become a cult favorite. With two more sequels on the horizon, James Cameron will have fans in the palm of his hand for the next few years. 

Rating: 4½ stars

District 9

Release Date: Aug 14, 2009 

Runtime: 1 hr. 53 min. 

Director: Neill Blomkamp 

Cast: Sharlto Copley, Jason Cope, David James, Vanessa Haywood, Mandla Gaduka. 

Upon watching the trailer and seeing viral posters plastered throughout the city, I still wasn't sure as to what "District 9" was all about. With virtually no-namers and documentary-style formatting, one can only presume that it would be another "Cloverfield" or "Blair Witch Project." But it was so much more than that. Director Neill Blomkamp makes his feature debut with a bold statement, backed up by none other than Peter Jackson. As the tension between alien lifeforms and humans are put to the test, we see the unmistakable resemblances of apartheid emerging that can't be ignored. The protagonist, Wikus, becomes the missing link between alien survival and advancement in human technology. As he tries to grasp the changes that are occurring, he comes to understand the species that he rejected not too long ago. While some scenes can be too gruesome to watch, the bleak landscape and violence help tell a more convincing story. Through realistic footage and interviews, the film poses questions and thoughts, while also opening up possibilities for a sequel. Since many things were left unanswered, it should be interesting to see how the situation develops further into the future. Overall, one of the more original films of this year. 

Rating: 4 stars

Terminator Salvation

Release Date: May 21, 2009 

Runtime: 2 hr. 10 min. 

Director: McG 

Cast: Christian Bale, Sam Worthington, Anton Yelchin, Moon Bloodgood, Bryce Howard.

Despite the inevitable occurrence of Judgement Day, the film conceived causes uneasiness rather than contentment. We open on a desolate landscape that has been rampaged by machines and thus, setting up the backdrop for the rest of the film. While there are two character stories moving in parallel, there seems to be lack of much development or emotion. Aside from this depression is an abundant amount of explosions and deaths to keep the viewer distracted from noticing any of this. Sam Worthington, as the hybrid cyborg, pretty much owns this film, casting John Conner in a dim light. Though a bit confusing, the predestination paradox that was brought up in "The Terminator" keeps the story on a continuity, as well as the fate of John Conner himself. The last 30 minutes is where I felt the most connection to the first two films, bringing in recognizable elements and suspense. Interestingly enough, in the end, the only empathy you feel is towards a machine rather than the resistance. I say the next sequel, we just keep it at ahnold vs. the machines. 

Rating: 2 stars

Star Trek

Release Date: May 07, 2009 

Runtime: 2 hr. 6 min. 

Director: J.J. Abrams 

Cast: Chris Pine, Zachary Quinto, Leonard Nimoy, Eric Bana, Bruce Greenwood.

Believe the hype. And ignore the minority that bash this film for the sake of going against the grain. JJ Abrams proves himself again as a capable director, reviving a franchise that never quite reached a broader audience than its loyal fans. A rarity in itself, this film is entertaining to both devotees and newbies. The casting is seamless, especially Zachary Quinto who has mastered the role of showing no emotion (a la Sylar). Even Karl Urban as McCoy is refreshing, seeing as he has played a lot of butch roles in the past. Aside from the stunning visuals and action scenes, character development is essential to making this film successful. The only negative I found was the awkward transition from youth to adulthood. Nevertheless, it was thrilling to see a classic brought to the big screen in a different way. The humor and constant chides helped keep the mood light in spite of all the drama occurring. I'm already ecstatic about the sequel which most likely won't be out for at least 2-3 yrs. 

Rating: 4½ stars