This Is 40

Release Date: Dec 21, 2012 
Runtime: 2 hr. 14 min. 
Director: Judd Apatow 
Cast: Paul Rudd, Leslie Mann, Megan Fox, Albert Brooks, Chris O'Dowd, Melissa McCarthy.

The saying 'misery loves company' may have been a euphemism for Judd Apatow's own mid-life descent into 40. Acting as the sort-of sequel to the hit "Knocked Up," his latest exposé shows us the many pitfalls with turning the milestone, and the strenuousness it takes to create another comic goldmine. Paul Rudd and Leslie Mann reunite as volatile couple, Pete and Debbie, who have all but given up on themselves. Raising unruly kids and fending off financial woes, the two are on the brink of implosion — or what some would simply call 'marriage.' Like any Apatow production, insights here aren't doled out gently, as unfiltered jokes and belligerence take on the meaning of comedy. And consequently, the film does have its moments when it's genuinely laugh-out-loud funny and not remotely contrived. But these moments are rare as they come as they're folded aimlessly into an uneven script that rises and falls like a studio-composed laugh track, set to being more of a drama than an actual comedy. Unlike "40-Year-Old" and "Knocked Up" before it, there seems to be no straight story format to follow, instead depicting a compilation of arguments and situations that belittle the characters. While Rudd and Mann both give credible performances, at the end of the day, it's their multitude of issues that effectively consume them, and make them all the less appealing. While "This Is 40" is a barely perceptible improvement over "Funny People," there could still be some hope for Apatow just yet. It may just be as producer rather than director.

Rating: 2½ stars

The King's Speech

Release Date: Nov 26, 2010 

Runtime: 1 hr. 51 min. 

Director: Tom Hooper 

Cast: Colin Firth, Geoffrey Rush, Helena Bonham Carter, Guy Pearce, Timothy Spall. 

In what is most likely the only real adversary against “The Social Network” for Best Picture, is Tom Hooper’s period piece, “The King’s Speech.” At first glance, it can be construed as just another historical drama that divulges the secrets of royalty, but in actuality, it is much more than that. Through error and practice, we witness a triumph of character development that humbles even that of a monarch. Colin Firth stars as the timid, yet self-aware Prince Albert whose stammering speech impedes on his rise to the throne. With the help of an unconventional speech therapist, played radiantly by Geoffrey Rush, he stands up to the challenge of being the King that the people need and deserve in a time of hardship. Like many bromances before them, Firth and Rush prove that there is no greater friendship than the one that bickers and fights. Their chemistry is genuine and endearing, as student and teacher discover equal grounds amid their social differences. Tom Hooper brings elegance to the directing, creating a beautiful picture that flourishes on art direction and witty humor. Additionally, the score crafted by Alexandre Desplat is flawless and captivating. But perhaps the best facet of the film is the stark contrast of beginning and end that expresses the sole purpose of the appellation. While many may predict the outcome, the experience of watching is no less rewarding. Already having gathered several awards and nominations, the final sprint of “The King’s Speech” comes down to the imminent Oscars. The race may be tight for Best Picture and Director, but Firth can rest easy. King or no king, this year is his to win it.

Rating: 4½ stars

True Grit

Release Date: Dec 22, 2010 

Runtime: 2 hr. 8 min. 

Director: Ethan Coen, Joel Coen 

Cast: Jeff Bridges, Josh Brolin, Matt Damon, Hailee Steinfeld, Barry Pepper.

Known for their mastery of directing award-winning films, the Coen brothers’ latest entry into the Western genre is no different. “True Grit”—while being a remake of the 1969 film of the same title—is an unblemished adaptation of its own accord, staying truer to the original novel that started it all. Jeff Bridges takes on the heavy-burden task of following in John Wayne’s footsteps, who won his one and only Oscar portraying the irritable, but resourceful, Rooster Cogburn. Yet, Bridges proves he’s a seasoned actor for a reason, and personalizes the role with every ounce of confidence and indifference in his soul. Opposite the veteran actor is newcomer, Hailee Steinfeld, whose age is all but forgotten when acting beyond the wisdom of her years. Her steadfast personality and no-nonsense attitude is what makes the film bustle and thrive. Matt Damon rounds out the trio as Texas Ranger La Boeuf, whose acting comes readied with comical comebacks and swagger. With all of this, in addition to the handsome terrain and cinematography, it’s no wonder that the Coens’ “True Grit” needs no comparison. But don’t expect a whole lot of gunfights here. This is one Western that chooses style over ammo.

Rating: 4½ stars

The Social Network

Release Date: Oct 01, 2010 

Runtime: 2 hr. 1 min. 

Director: David Fincher 

Cast: Jesse Eisenberg, Justin Timberlake, Andrew Garfield, Rashida Jones, Armie Hammer, Max Minghella, Rooney Mara.

Every once in awhile, there comes a film that resonates, even days after you’ve watched it, for reasons that justify great storytelling. This year’s breakout hit, “The Social Network,” happens to be one of those films, and revels in doing so. From established director, David Fincher, comes an in-depth glance at the social phenomenon that has eclipsed the web over the last six years. While many may construe it as just ‘the Facebook movie,’ in reality, it symbolizes the very core of our digital culture and the compulsion to stay connected. Break-through performances and sharp dialogue make this film, both, wildly entertaining and vividly enthralling. From the opening scene, the hook is instantaneous and grabs hold of you over the course of, what feels like, a brief two hours. Jessie Eisenberg plays the ultimate anti-hero in his take on Facebook founder, Mark Zuckerberg. Talking a mile-a-minute and lacking all social skill set, Eisenberg’s character is hard to like, yet hard to dislike, even after all the calamities he instigates. As we witness his progression from computer geek to billionaire, it becomes obvious that no good thing comes without a cost. Andrew Garfield skillfully plays the best pal, Eduardo Saverin, who starts off as the financier, only to be betrayed in the end. Although he’s still a relative unknown, Garfield shows ample potential and will likely gain some interest in his upcoming role as Spidey in the “Spider-Man” reboot. Another notable actor is Armie Hammer, who unknowingly plays both twins, but makes them so cleverly different that one would never notice. The film unfolds in various timelines and shows all sides of the story, despite any fabrications it may have from reality. Is it glorifying the right to be an asshole without any remorse of ramifications? Sure. Does it validate manipulation and total alienation of friends? Absolutely. But the faults end there for what is to be one of the best and most talked about films of the year. Brilliant directing and an intelligent script easily make this a front-running contender for Best Picture and Adapted Screenplay. Watch it for yourself and decide.

Rating: 5 stars

 

Funny People

Release Date: Jul 31, 2009 

Runtime: 2 hr. 16 min.

Director: Judd Apatow 

Cast: Adam Sandler, Seth Rogen, Leslie Mann, Eric Bana, Jonah Hill.

Apatow's third attempt at directing comes with high anticipation, following his sleeper hits "The 40-Year Old Virgin" and "Knocked Up." Unfortunately, third time isn't quite the charm, even with such star power as Adam Sandler. Despite the story being of a comedian struggling to overcome a life-threatening illness, it’s difficult to empathize with him or any of the other characters. There seems to be a lack of real growth; life lessons being neither learned nor resolved. While stand-up was an integral part of the film, it wasn’t up to the level I’m used to seeing of these actors. Most of the time the humor was dry and forced; sometimes even being uncomfortable and tedious to watch. Some of the best moments came with the variety of cameos that played well into the context of the film. Furthermore, Eric Bana shows his comedic (and very Aussie) side as the hot-tempered husband of Leslie Mann. All in all, I’d say the film is disappointing, though I do give credit to Apatow for pursuing a different type of movie. I just prefer his other style which he seems better acquainted with. 

Rating: 2 stars

Marley & Me

Release Date: Dec 25, 2008

Runtime: 1 hr. 55 min. 

Director: David Frankel 

Cast: Owen Wilson, Jennifer Aniston, Eric Dane, Alan Arkin, Kathleen Turner.

Although I have not read the book yet, the film was thoroughly entertaining, describing the ups & downs of life with the world's worst dog. The casting was okay with the exception of Alan Arkin who was great as his character. Of course, Marley stole the show by causing as much ruckus as any over-caffeinated dog would. The film lacked in areas of transitioning where the mood suddenly shifted from comedy to drama. As much as the trailer shows the funnier side of things, expect to witness both the beginning and end of the family's troubles with Marley. Even the most heartless person can't ignore the pain of losing a man's best friend.
 

Rating: 2½ stars