Release Date: May 23, 2014
Runtime: 2 hr. 11 min.
Director: Bryan Singer
Cast: Hugh Jackman, James McAvoy, Michael Fassbender, Jennifer Lawrence, Patrick Stewart, Ian McKellen, Nicholas Hoult, Peter Dinklage
, Ellen Page, Evan Peters, Halle Berry, Shawn Ashmore.
Like a gene within a mutant, the "X-Men" series has undergone various evolutions, from directors to actors to oscillating timelines. Yet despite some setbacks (ie. "Last Stand," "Origins"), it has remained tested and proved, to be a reliable beacon in the comic book world. With the welcome return of Bryan Singer and a handful of originals, it's a reversion to better days in "Days of Future Past." Beginning in a bleak future where Sentinels hunt ruthlessly, we find the X-Men cornered with little to no hope. As a last act of survival, Kitty Pryde sends Wolverine's consciousness back to 1973, to change the past, and their lives, for an alternate future. It's a risky move for Singer who has directed only two of the last six films, employing something as elusive as time travel. With continuity being an issue, not to mention the ever-existing paradox, it's a challenge for anyone to connect each and every component. But Singer makes due with his experiential knowledge, offering up a mind-bending summer blockbuster with a nostalgic value. Combining the "First Class" with the old class, it's a reunion of sorts, as familiar faces return to readily join forces. But it's a newcomer that swiftly, and comically, steals away the spotlight, the aptly named Quicksilver played by Evan Peters. While apprehension has surrounded Marvel's dual intentions ("Avengers: Age of Ultron" will have its own take on the character,) Peters is surprisingly well-suited for the role. Less serious and volatile than what's to be expected of the latter, his tricked-out scenes (3600 fps) are visually the best parts of the film. Comparably, the battle scenes with the Sentinels are brimmed with intensity, as they finally play a larger role other than inside a simulation. The plot, however, is predictably convoluted, as real-life situations coalesce with past story lines. To the occasional viewer, inconsistency is easily dismissible, but to the discernible eye it unrightfully breaks the continuum. Some upbringings of the past no longer seem valid, while certain events of the future are just deliberately ignored. But creative licensing is sometimes necessary in times of reformation, whether it's for better or worse is subject to opinion. Nevertheless, "Days of Future Past" gives fans another favorite in the series, though the best may be yet to come. Bring on the "Apocalypse."
Rating: 4 stars
Like a gene within a mutant, the "X-Men" series has undergone various evolutions, from directors to actors to oscillating timelines. Yet despite some setbacks (ie. "Last Stand," "Origins"), it has remained tested and proved, to be a reliable beacon in the comic book world. With the welcome return of Bryan Singer and a handful of originals, it's a reversion to better days in "Days of Future Past." Beginning in a bleak future where Sentinels hunt ruthlessly, we find the X-Men cornered with little to no hope. As a last act of survival, Kitty Pryde sends Wolverine's consciousness back to 1973, to change the past, and their lives, for an alternate future. It's a risky move for Singer who has directed only two of the last six films, employing something as elusive as time travel. With continuity being an issue, not to mention the ever-existing paradox, it's a challenge for anyone to connect each and every component. But Singer makes due with his experiential knowledge, offering up a mind-bending summer blockbuster with a nostalgic value. Combining the "First Class" with the old class, it's a reunion of sorts, as familiar faces return to readily join forces. But it's a newcomer that swiftly, and comically, steals away the spotlight, the aptly named Quicksilver played by Evan Peters. While apprehension has surrounded Marvel's dual intentions ("Avengers: Age of Ultron" will have its own take on the character,) Peters is surprisingly well-suited for the role. Less serious and volatile than what's to be expected of the latter, his tricked-out scenes (3600 fps) are visually the best parts of the film. Comparably, the battle scenes with the Sentinels are brimmed with intensity, as they finally play a larger role other than inside a simulation. The plot, however, is predictably convoluted, as real-life situations coalesce with past story lines. To the occasional viewer, inconsistency is easily dismissible, but to the discernible eye it unrightfully breaks the continuum. Some upbringings of the past no longer seem valid, while certain events of the future are just deliberately ignored. But creative licensing is sometimes necessary in times of reformation, whether it's for better or worse is subject to opinion. Nevertheless, "Days of Future Past" gives fans another favorite in the series, though the best may be yet to come. Bring on the "Apocalypse."
Rating: 4 stars
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